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Twentieth Century Music and the Question of Modernity (Paperback)
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Twentieth Century Music and the Question of Modernity (Paperback)
Series: Routledge Advances in Sociology
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In the first decade of the twentieth-century, many composers
rejected the principles of tonality and regular beat. This signaled
a dramatic challenge to the rationalist and linear conceptions of
music that had existed in the West since the Renaissance. The
'break with tonality', Neo-Classicism, serialism, chance,
minimalism and the return of the 'sacred' in music, are explored in
this book for what they tell us about the condition of modernity.
Modernity is here treated as a complex social and cultural
formation, in which mythology, narrative, and the desire for
're-enchantment' have not completely disappeared. Through an
analysis of Schoenberg, Stravinsky, Boulez and Cage, 'the author
shows that the twentieth century composer often adopted an artistic
personality akin to Max Weber's religious types of the prophet and
priest, ascetic and mystic. Twentieth Century Music and the
Question of Modernity advances a cultural sociology of modernity
and shows that twentieth century musical culture often involved the
adoption of 'apocalyptic' temporal narratives, a commitment to
'musical revolution', a desire to explore the limits of noise and
sound, and, finally, redemption through the rediscovery of
tonality. This book is essential reading for those interested in
cultural sociology, sociological theory, music history, and
modernity/modernism studies.
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