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Elite Art Worlds - Philanthropy, Latin Americanism, and Avant-garde Music (Hardcover)
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Elite Art Worlds - Philanthropy, Latin Americanism, and Avant-garde Music (Hardcover)
Series: CURRENTS IN LATIN AMER AND IBERIAN MUSIC
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The Centro Latinoamericano de Altos Estudios Musicales (CLAEM) in
Buenos Aires operated for less than a decade, but by the time of
its closure in 1971 it had become the undeniable epicenter of Latin
American avant-garde music. Providing the first in-depth study of
CLAEM, author Eduardo Herrera tells the story of the fellowship
program-funded by the Rockefeller Foundation and the Di Tella
family-that, by allowing the region's promising young composers to
study with a roster of acclaimed faculty, produced some of the most
prominent figures within the art world, including Rafael Aponte
Ledee, Coriun Aharonian, and Blas Emilio Atehortua. Combining oral
histories, ethnographic research, and archival sources, Elite Art
Worlds explores regional discourses of musical Latin Americanism
and the embrace, articulation, and resignification of avant-garde
techniques and perspectives during the 1960s. But the story of
CLAEM reveals much more: intricate webs of US and Argentine
philanthropy, transnational currents of artistic experimentation
and innovation, and the role of art in constructing elite
identities. By looking at CLAEM as both an artistic and
philanthropic project, Herrera illuminates the relationships
between foreign policy, corporate interests, and funding for the
arts in Latin America and the United States against the backdrop of
the Cold War.
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