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Books > Reference & Interdisciplinary > Communication studies > Media studies
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Tracking Color in Cinema and Art - Philosophy and Aesthetics (Hardcover)
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Tracking Color in Cinema and Art - Philosophy and Aesthetics (Hardcover)
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Color is one of cinema's most alluring formal systems, building on
a range of artistic traditions that orchestrate visual cues to tell
stories, stage ideas, and elicit feelings. But what if color is
not-or not only-a formal system, but instead a linguistic effect,
emerging from the slipstream of our talk and embodiment in a world?
This book develops a compelling framework from which to understand
the mobility of color in art and mind, where color impressions are
seen through, and even governed by, patterns of ordinary language
use, schemata, memories, and narrative. Edward Branigan draws on
the work of Ludwig Wittgenstein and other philosophers who struggle
valiantly with problems of color aesthetics, contemporary theories
of film and narrative, and art-historical models of analysis.
Examples of a variety of media, from American pop art to
contemporary European cinema, illustrate a theory based on a
spectator's present-time tracking of temporal patterns that are
firmly entwined with language use and social intelligence.
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