Writing Marginality in Modern French Literature, first published in
2001, explores how cultural centres require the peripheral, the
outlawed and the deviant in order to define and bolster themselves.
It analyses the hierarchies of cultural value which inform the work
of six modern French writers: the exoticist Pierre Loti; Paul
Gauguin, whose Noa Noa enacts European fantasies about Polynesia;
Proust, who analyses such exemplary figures of exclusion and
inclusion as the homosexual and the xenophobe; Montherlant, who
claims to subvert colonialist values in La Rose de sable; Camus,
who pleads an alienating detachment from the cultures of both
metropolitan France and Algeria; and Jean Genet. Crucially Genet,
who was typecast as France's moral pariah, in charting Palestinian
statelessness in his last work, Un Captif amoureux (1986), reflects
ethically on the dispossession of the Other and the violence
inherent in the West's marginalization of cultural difference.
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