This intense examination of the writings of Tillie Olsen shows
Elaine Neil Orr's deeply sympathetic passion for Olsen's literary
world. Orr's objective is not simply to offer literary criticism
but to interpret the subjects that inspire and disclose Olsen's
spiritual vision.
In "Tell me a Riddle," "Yonnondio," and, TIllie Olsen presents a
world troubled by the problems of sex, race, and class and
inhabited by people who are broken, silenced, defeated. Yet her
artistic vision of this tragic world reveals Olsen's resounding
affirmation of life. Orr's study shows Olsen's work as a blending
of Marxist, feminist, literary, and religious views that give it a
unique spiritual perspective. "As the reader progresses through
this book," Orr says, "he or she will discover, I believe, that
even when Olsen's texts appear to fail, they still evoke our
sympathy and compel us to listen." Though the body of Olsen's work
is small, its substance is of great significance. Her vision is
rooted in her family's Russian Jewish heritage and in her own
history as an American worker, a member of the Communist party, a
humanist, a feminist, and a mother.
Olsen's portraits of weary workers and mothers, of children, of
a dying sailor, and of a black church worker express her enduring
hope for transformation and fulfillment and convey the central
meaning of her work-the miracle and sanctity of each human life.
Thus this first book-length study of Tillie Olsen is a religious
interpretation showing a woman-centered world that intertwines the
religious and the material and produces Olsen's vision of
holiness.
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