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Read the Introduction.
""Imaging Japanese America" examines myriad genres of visual and
linguistic representation in order to understand the historical and
contemporary 'imaging' of Japanese Americans. It is both an artful
writing project and an exemplary scholarly work within the field of
visual culture studies. Readers will appreciate the
interdisciplinary methodology, the rich detailed analysis, and
Creef's powerful voice. A joy to read--one learns something new at
every turn."
--Kent A. Ono, University of Illinois at Urbana-Champaign
"An astute and lucid study of visual representations of Japanese
Americans and an important original work for understanding American
history in the second half of the twentieth century. Creef
elegantly reads the myriad interdisciplinary contexts in which
dynamics of race, gender, class, and nation frame Japanese
Americans as foreign or the same, alien or national, while
revealing the hidden costs such representations extract from
individuals and communities."
--Shirley Geok-lin Lim, University of California, Santa Barbara
As we have been reminded by the renewed acceptance of racial
profiling, and the detention and deportation of hundreds of
immigrants of Arab and Muslim descent on unknown charges following
September 11, in times of national crisis we take refuge in the
visual construction of citizenship in order to imagine ourselves as
part of a larger, cohesive national American community.
Beginning with another moment of national historical
trauma--December 7, 1941 and the subsequent internment of 120,000
Japanese Americans--Imaging Japanese America unearths stunning and
seldom seen photographs ofJapanese Americans by the likes of
Dorothea Lange, Ansel Adams, and Toyo Mitatake. In turn, Elena
Tajima Creef examines the perspective from inside, as visualized by
Mine Okubo's Maus-like dramatic cartoon and by films made by Asian
Americans about the internment experience. She then traces the ways
in which contemporary representations of Japanese Americans in
popular culture are inflected by the politics of historical memory
from World War II. Creef closes with a look at the representation
of the multiracial Japanese American body at the turn of the
millennium.
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