Upon encountering Historian, Laurel Thatcher Ulrich’s quote “Well behaved women seldom make history” – Malebo knew that she was tired of everyone else but herself having a say on who and what she should be. Appropriating this quote, Malebo boldly renounces societal expectations placed on her as a Black woman and shares her journey towards misbehaviour. According to Malebo, it is a norm for a Black woman to live through a society that will prescribe what it means to be a well behaved woman. Acting like this prescribed woman equals good behaviour. But what happens when a black woman decides to live her own life and becomes her own form of who she wants to be? She is often seen as misbehaving.

Miss Behave challenges society’s deep-seated beliefs about what it means to be a well behaved woman. In this book, Malebo tracks her journey on a path towards achieving total autonomy and self-determinism. Miss Behave will challenge, rattle and occasionally cause you to reflect on your own life – asking yourself the question – are you truly living life the way you want to?

John Kane-Berman is uniquely qualified to look back over the enormous political and social changes that have taken place in his lifetime in this fractious country. In his career as student leader, Rhodes Scholar, newspaperman, independent columnist, speech maker, commentator, and Chief Executive, for thirty years, of the South African Institute of Race Relations, Kane-Berman has been at the coal face of political change in South Africa.

The breadth and depth of ideas and events covered here are striking: the disintegration of apartheid, the chaos of the ‘people’s war’ and its contribution to the broader societal breakdown we see today, the liberal slide-away, the authoritarian ANC with its racial ideology and revolutionary goals, to mention only a few. Kane-Berman’s willingness to confront received wisdom is thoroughly refreshing, and he is forthright about the threats to freedom, democracy, and growth in contemporary South Africa, many of which he identified even before the ANC came to power.

Writing, debate, and reasoned argument have been Kane-Berman’s stock in trade and his clarity of vision and personal insight have created a memoir of rare candour and absorbing interest.

America's foremost novelist reflects on the themes that preoccupy her work and increasingly dominate national and world politics: race, fear, borders, the mass movement of peoples, the desire for belonging. What is race and why does it matter? What motivates the human tendency to construct Others? Why does the presence of Others make us so afraid? Drawing on her Norton Lectures, Toni Morrison takes up these and other vital questions bearing on identity in The Origin Of Others.

In her search for answers, the novelist considers her own memories as well as history, politics, and especially literature. Harriet Beecher Stowe, Ernest Hemingway, William Faulkner, Flannery O'Connor, and Camara Laye are among the authors she examines. Readers of Morrison's fiction will welcome her discussions of some of her most celebrated books: Beloved, Paradise, and A Mercy. Morrison also writes about nineteenth-century literary efforts to romance slavery, contrasting them with the scientific racism of Samuel Cartwright and the banal diaries of the plantation overseer and slaveholder Thomas Thistlewood. She looks at configurations of blackness, notions of racial purity, and the ways in which literature employs skin colour to reveal character or drive narrative.

Expanding the scope of her concern, she also addresses globalization and the mass movement of peoples in this century. National Book Award winner Ta-Nehisi Coates provides a foreword to Morrison's most personal work of nonfiction to date.

In the third volume of Milton Shain’s history of antisemitism in South Africa, he traces and unpacks hostile attitudes towards Jews and irrational fantasies that accompany them in apartheid and post-apartheid South Africa.

We have lost the plot when it comes to migration. In our collective consciousness, the term 'migration' conjures up images of hordes of refugees fleeing 'their' country, escaping on rafts and coming to invade 'ours'. When we think of migration, we think of (largely unwanted) immigration and its ills.

We've got it all wrong.

Far from being abnormal, the act of going in search of a better life is at the core of the human experience. And now a new kind of nomad is emerging. What used to be a movement largely from east to west, south to north, developing to developed country is becoming more of a multilateral phenomenon with each passing day. Young people from everywhere are moving everywhere. Or rather, they are moving to where they expect to improve their lives and are turning the world into a beauty contest of cities and regions and companies vying to attract them. They are doing so because movement has become a key to their emancipation. After centuries of becoming sedentary, the future of humanity and the key to its enlightenment in the 21st century lies in re-embracing nomadism. Migration fosters the qualities that will allow our children to flourish and succeed. Our times require more migration, not less.

Part memoir, part generational manifesto, The New Nomad is both the chronicle of this revolution and a call to embrace it.

This stirring collection of essays and talks by activist and former judge Albie Sachs is the culmination of more than 25 years of thought about constitution-making and non-racialism. Following the Constitutional Court's landmark Nkandla ruling in March 2016, it serves as a powerful reminder of the tenets of the Constitution, the rule of law and the continuous struggle to uphold democratic rights and freedoms. We, The People offers an intimate insider's view of South Africa's Constitution by a writer who has been deeply entrenched in its historical journey from the depths of apartheid right up to the politically contested present.

As a second-year law student at the University of Cape Town, Sachs took part in the Defiance Campaign and went on to attend the Congress of the People in Kliptown, where the Freedom Charter was adopted in 1955. Three decades later, shortly after the bomb attack in Maputo that cost him his arm and the sight in one eye, he was called on by the Constitutional Committee of the African National Congress to co-draft (with Kader Asmal) the first outline of a Bill of Rights for a new democratic South Africa. In 1994, he was appointed by Nelson Mandela to the Constitutional Court, where he served as a judge until 2009. We, The People contains some of Sachs' most memorable public talks and writings, in which he takes us back to the broad-based popular foundations of the Constitution in the Freedom Charter. He picks up on Oliver Tambo's original vision of a non-racial future for South Africa, rather than one based on institutionalised power-sharing between the races. He explores the tension between perfectability and corruptibility, hope and mistrust, which lies at the centre of all constitutions.

Sachs discusses the enforcement of social and economic rights, and contemplates the building of the Constitutional Court in the heart of the Old Fort Prison as a mechanism for reconciling the past and the future. Subjective experience and objective analysis interact powerfully in a personalised narrative that reasserts the value of constitutionality not just for South Africans, but for people striving to advance human dignity, equality and freedom across the world today.

Jonathan Jansen is the former Vice Chancellor of the University of the Free State, with a formidable reputation for transformation and for a deep commitment to reconciliation in communities living with the heritage of apartheid. In this, Jansen’s most personal and intimate book to date, South Africa’s beloved professor contemplates the stereotypes and stigma so readily applied to Cape Flats mothers as bawdy, lusty and gap-toothed – and offers this endearing antidote as a praise song to mothers everywhere who raise families and build communities in difficult places.

As a young man, Jansen questioned how mothers managed to raise children in trying circumstances – and then realised that the answer was right in front of him in the form of Sarah Jansen, his own mother. Tracing her early life in Montagu and the consequences of apartheid’s forced removals, Jansen unpacks how strong women managed to not only keep families together, but raise them with integrity.

With his trademark delicacy, humour and frankness, Jansen follows his mother’s life story as a young nurse and mother to five children, and shows how mothers dealt with their pasts, organised their homes, made sense of politics, managed affection, communicated core values – how they led their lives. As a balance to his own recollections, Jansen has called on his sister, Naomi, to offer her own insights and memories, adding special value to this touching personal memoir.

Multidisciplinary scholars showcase their search for decolonial strategies from within their disciplinary focus, covering ideas such as the different layers at which colonialism operates, strategies for a decolonisation that does not recolonise, and the importance of preserving and publishing in indigenous languages.

Decolonisation explores questions of justice, injustice and inhumanity that have geographically and intellectually shaped the course of history through overlapping colonial, decolonial and postcolonial eras. This multidisciplinary collection uses the lenses of history, philosophy, literature and education to examine aspects of colonialism and decolonisation, and their revolutionary and evolutionary manifestations which, contributors argue, occurred simultaneously in the historical and epistemological record. The problems that come into focus have a kaleidoscopic effect on how we come to understand fraught issues, from the ‘invention’ of blacks, to the formulation of the ideology of trusteeship and the obligations to ‘lower civilisations’.

Decolonisation brings together an internationally renowned group of scholars to showcase their search for decolonial strategies within their disciplinary focus, covering ideas such as the different layers at which colonialism operates, strategies for a decolonisation that does not recolonise, and the importance of preserving and publishing in indigenous languages.

This is a much-needed book for students and scholars in the field of decolonisation, history, philosophy and pedagogy. The introductory chapter offers a clear and concise primer to this complex subject, covering colonialism, imperialism, decoloniality, and the various actors involved.

What does the world look like from Africa? What does it mean to think, feel, express without apology for being African? How does one teach society and children to be African – with full consciousness and pride? In institutions of learning, what would a textbook on African-centred psychology look like? How do researchers and practitioners engage in African social psychology, African-centred child development, African neuropsychology, or any area of psychology that situates African realities at the centre?

Questions such as these are what Kopano Ratele grapples with in this lyrical, philosophical and poetic treatise on practising African psychology in a decolonised world view. Employing a style common in philosophy but rarely used in psychology, the book offers thoughts about the ideas, contestation, urgency and desire around a psychological praxis in Africa for Africans.

While setting out a framework for researching, teaching and practicing African psychology, the book in part coaxes, in part commands and in part urges students of psychology, lecturers, researchers and therapists to reconsider and reach beyond their received notions of African psychology.

The New York Times best-selling book exploring the counterproductive reactions white people have when their assumptions about race are challenged, and how these reactions maintain racial inequality.

In this “vital, necessary, and beautiful book” (Michael Eric Dyson), anti-racist educator Robin DiAngelo deftly illuminates the phenomenon of white fragility and “allows us to understand racism as a practice not restricted to ‘bad people’ (Claudia Rankine). Referring to the defensive moves that white people make when challenged racially, white fragility is characterized by emotions such as anger, fear, and guilt, and by behaviors including argumentation and silence. These behaviors, in turn, function to reinstate white racial equilibrium and prevent any meaningful cross-racial dialogue.

In this in-depth exploration, DiAngelo examines how white fragility develops, how it protects racial inequality, and what we can do to engage more constructively.

Life was good in early 1976. White South Africans’ favourite song was ABBA’s 'Dancing Queen'. Then came the Soweto student uprising of 16 June. It was the end of normal.

As a young reporter, Max du Preez witnessed the first stones thrown and the first shots fired on the morning of 16 June. Raised in a conservative Afrikaner Christian Nationalist family in Kroonstad, it was also the end of his normal. He rebelled against his upbringing and, for the past half century, he’s had a front-row seat witnessing South Africa’s darkest and brightest moments.

In The End of Normal he explores how otherwise decent people – his own people – came to implement and support apartheid. He examines the long-term impact of 16 June and takes a hard look at attitudes today.

In some settings, such as Ireland, contiguous Catholic and Protestant states are often not conducive to good relations or neighbourliness. In colonial and imperial southern Africa, formal inter-state arrangements took place at the expense of a third party - subjected African peoples.

Three Wise Monkeys explores some of the contradictions, silences and oversights, and working misunderstandings that arise when an emerging Anglophone, Protestant, industrial and urbanising state - South Africa - develops side by side with Mozambique - a Lusophone, Catholic, commercial, rural colony.

In three volumes, Charles van Onselen examines the intertwined relations between South Africa and Portugal's chronically weak east coast colony, as expressed through the migrant labour system, the tourist trade, the rise and fall of LM Radio and the extraordinary tale of the Lourenço Marques Lottery. These areas constituted zones of cross-cultural, transnational interaction that both states were reluctant to acknowledge formally, choosing instead to 'see no evil, speak no evil and hear no evil' for much of the 20th century.

Three Wise Monkeys presents a startling new way of viewing the entangled, often hidden, economic, political and social dynamics that informed the rise of 20th-century South Africa, often at the expense of neighbouring Mozambique.

The volumes are:

• Volume 1: The Makings Of An African Economic Tragedy - Mozambique, circa 1500-1960
• Volume 2: Through The Turnstiles Of The Mind - White South Africans and the Freedoms Of Mozambique, circa 194-1975
• Volume 3: The Quest For Wealth Without Work - The Lourenco Marques Lottery, Protestant Panics and the South African White Working Classes , circa 1890-9165

Their love story was one of the greatest of our times.

Ruth Williams was a middle-class Londoner who loved ballroom dancing and ice skating when she met Seretse Khama. He was chief designate of the most powerful tribe in Bechuanaland, today Botswana, on the borders of apartheid South Africa. Their union sparked outrage, fear and anger. Ruth’s father barred her from their family home, she was hounded by the global media and shunned by white people in Seretse’s village of Serowe. The couple was humiliated, tricked and eventually exiled to England. But, despite all these tribulations, their love triumphed over the politics and prejudice of the time.

This is the story Ruth Khama told well-known journalist and author Sue Grant-Marshall ‒ the story of an extraordinary woman, who had the courage of her convictions in marrying the man she loved and accepting his country and people as her own.

Morris Isaacson High School (MIHS) is widely known as the epicentre of the 1976 Soweto uprising. However, its legacy extends far beyond this event. This insightful book explores the rich, untold story of the school, revealing its profound impact on secondary education in Soweto.

While the 1976 uprising cemented MIHS’s place in history, Clive Glaser argues that its true significance lies in its unwavering commitment to quality education during a tumultuous period. Located in the heart of Soweto, MIHS faced immense challenges – poverty, a repressive education system (Bantu Education) and political unrest. Yet, it defied the odds, nurturing generations of successful professionals throughout the 1960s and 1970s. How did MIHS flourish under Bantu Education, and why did its performance not reach its full potential in the democratic era? By examining the interplay between dedicated leadership, a strong alumni network and shifting socio-economic realities, the book provides some compelling answers.

This book is not just about MIHS; it is a testament to the enduring power of education in the fight for social justice. MIHS’s story serves as an inspiration, demonstrating the transformative potential of education, even under the most challenging circumstances.

The apartheid security juggernaut met its Battle of Stalingrad in the townships of Port Elizabeth and Uitenhage in 1985 and 1986. This is the blazing story of how the people’s resistance – in the church, in the civic structures, underground – fought that war.

Up until these insurrections, the brutal force of the apartheid state successfully crushed all attempts at revolt. Yet in the townships of Port Elizabeth, where they threw everything they had at the uprisings, the people stood and fought, and fought and stood.

Riordan, a human rights activist during the years of high apartheid, draws a line connecting the story of Thozamile Botha, the Zwide and KwaZakhele Residents’ Associations and the Port Elizabeth Black Civic Association (PEBCO) of 1979, the subsequent demise of PEBCO, and the February 1990 unbanning of the ANC and the movement at large.

What had happened in the intervening ten years to effect this once unimaginable change? Apartheid’s Stalingrad tells us what had happened.

Coloured as an ethnicity and racial demographic is intertwined in the creation of the South Africa we have today. Yet often, Coloured communities are disdained as people with no clear heritage or culture — ‘not being black enough or white enough.’

Coloured challenges this notion and presents a different angle to that narrative.

It delves into the history of Coloured people as descendants of indigenous Africans and a people whose identity was shaped by colonisation, slavery, and the racial political hierarchy it created. Although rooted in a difficult history, this book is also about the culture that Coloured communities have created for themselves through food, music, and shared lived experiences in communities such as Eldorado Park, Eersterus, and Wentworth. Coloured culture is an act of defiance and resilience.

Coloured is a reflection on, and celebration of Coloured identities as lived experiences. It is a call to Coloured communities to reclaim their identity and an invitation to understand the history and place of Coloured people in the making of South Africa’s future

Martina Dahlmanns, the daughter of parents who grew up in the shadow of post-war Germany, an adoptive mother of children who are black, and a member of a dialogue group of black and white women, urgently questions the very depths of what it means to be white in South Africa today. Her deeply personal memoir is unsettling because of what it reveals simultaneously about the enduring impact of inherited privilege and the repercussions of disadvantage

Her book is unsettling, precisely because of what it reveals simultaneously about the enduring impact of inherited privilege and the repercussions of disadvantage. But it is Dahlmanns’ dialogue with Tumi Jonas—whose own reflections appear in the last section of the book—that reveals so much of what’s possible, yet potentially destructive, in relationships between black and white South Africans today.

Post-apartheid South Africa still struggles to overcome the past, not just because the material conditions of apartheid linger but because the intellectual conditions it created have not been thoroughly dismantled. The system of 'petty apartheid', which controlled the minutia of everyday life, became a means of dragooning human beings into adapting to increasingly mechanized forms of life that stifle desire and creative endeavour. As a result, apartheid is incessantly repeated in the struggle to move beyond it.

In Undoing Apartheid, Premesh Lalu argues that only an aesthetic education can lead to a future beyond apartheid. To find ways to escape the vicious cycle, he traces the patterns created by three theatrical works by William Kentridge, Jane Taylor, and the Handspring Puppet Company – Faustus in Africa, Woyzeck on the Highveld, and Ubu and the Truth Commission – which coincided with the fall of the Berlin Wall and the end of apartheid.

Through the analysis of these works, Lalu uncovers the roots of modern thinking about race and affirms the need to revitalize a post-apartheid reconciliation endowed with truth – if only to keep alive the rhyme of hope and history.

Lidia Rauch was born at the crossroads of South Africa’s past and present – the granddaughter of one of apartheid’s longest-serving ministers, raised in a world constructed for her comfort, yet called to reckon with its cost. Her story moves between privilege and pain: from a childhood marked by fracture, to a career within the machinery of government, to the long, uneasy road of reckoning with what it means to be white, Afrikaans, and free in a country still carrying the weight of its past.

In this fearless and tender memoir, Lidia turns toward the truth – dismantling the myths she was raised on, confronting the discomfort she once avoided, and choosing responsibility over denial. Along the way she encounters the people and moments that changed her – from the townships of Cape Town to the rooms where power is brokered – and discovers that freedom is not a gift bestowed by the system, but a commitment we make to one another.

Apartheid’s Granddaughter is not a story of guilt or absolution, but of courage and repair. It’s an invitation to white South Africans to face their inheritance with honesty and courage.

Both intimate and universal, this book reminds us that transformation is possible – and that healing begins when we choose to see ourselves and one another.

A bold, urgent appeal from the acclaimed columnist and political commentator, addressing one of the most important issues of our time.

In Peter Beinart’s view, one story dominates Jewish communal life: that of persecution and victimhood. It is a story that erases much of the nuance of Jewish religious tradition and warps our understanding of Israel and Palestine. After Gaza, where Jewish texts, history, and language have been deployed to justify mass slaughter and starvation, Beinart argues, Jews must tell a new story. After this war, whose horror will echo for generations, they must do nothing less than offer a new answer to the question: What does it mean to be a Jew?

Beinart imagines an alternate narrative, which would draw on other nations’ efforts at moral reconstruction and a different reading of Jewish tradition. A story in which Israeli Jews have the right to equality, not supremacy, and in which Jewish and Palestinian safety are not mutually exclusive but intertwined. One that recognizes the danger of venerating states at the expense of human life.

Being Jewish After the Destruction of Gaza is a provocative argument that will expand and inform one of the defining conversations of our time. It is a book that only Peter Beinart could write: a passionate yet measured work that brings together his personal experience, his commanding grasp of history, his keen understanding of political and moral dilemmas, and a clear vision for the future.

In this unprecedented deep dive into inner-city gang life, Mark Bowden takes readers inside a Baltimore gang, offers an in-depth portrait of its notorious leader, and chronicles the 2016 FBI investigation that landed eight gang members in prison.

Sandtown is one of the deadliest neighborhoods in the world; it earned Baltimore its nickname Bodymore, Murderland, and was made notorious by David Simon’s classic HBO series “The Wire.” Drug deals dominate street corners, and ruthless, casual violence abounds.

Montana Barronette grew up in the center of it all. He was the leader of the gang “Trained to Go,” or TTG, and when he was finally arrested and sentenced to life in prison, he had been nicknamed “Baltimore’s Number One Trigger Puller.” Under Tana’s reign, TTG dominated Sandtown. After a string of murders are linked to TTG, each with dozens of witnesses too intimidated to testify, three detectives set out to put Tana in prison for life. For them, this was never about drugs: It was about serial murder.

Now an acclaimed journalist who spent his youth in the white suburbs of Baltimore, Mark Bowden returns to the city with exclusive access to the FBI files and unprecedented insight into one of the city’s deadliest gangs and its notorious leader. As he traces the rise and fall of TTG, Bowden uses wiretapped drug buys, police interviews, undercover videos, text messages, social media posts, trial transcripts, and his own ongoing conversations with Tana’s family and community to create the most in-depth account of an inner-city gang ever written.

With his signature precision and propulsive narrative, Mark Bowden positions Tana – as a boy, a gang leader, a killer, and now a prisoner – in the context of Baltimore and America, illuminating his path for what it really was: a life sentence.

Lebogang Seale has written a personal and poignant account of the impact of South Africa’s failing and flailing land reform policy on ordinary people desperate for restorative justice.

One Hundred Years of Dispossession shows not only that land reform in South Africa is a criminal failure and monumental disappointment, but more than that, it is a betrayal that punishes the affected communities whose quest for justice remains denied.

How were whites implicated in and shaped by apartheid culture and society, and how did they contribute to it?

In Ordinary Whites in Apartheid Society, historian Neil Roos traces the lives of ordinary white people in South Africa during the apartheid years, beginning in 1948 when the National Party swept into power on the back of its catchall apartheid slogan. Drawing on his own family’s story and others, Roos explores how working-class white peoples frequently defied particular aspects of the apartheid state but seldom opposed or even acknowledged the idea of racial supremacy, which lay at the heart of apartheid society.

This cognitive dissonance afforded them a way to simultaneously accommodate and oppose apartheid and allowed them to later claim they never supported the apartheid system. Ordinary Whites in Apartheid Society offers a telling reminder that the politics and practice of race, in this case apartheid-era whiteness, derive not only from the top, but also from the bottom.

A dozen years in the making, The Inheritors weaves together the stories of three ordinary South Africans over five tumultuous decades in a sweeping and exquisite look at what really happens when a country resolves to end white supremacy.

Dipuo grew up on the south side of a mine dump that segregated Johannesburg’s black townships from the white-only city. Some nights, she hiked to the top. To a South African teenager in the 1980s—even an anti-apartheid activist like Dipuo—the divide that separated her from the glittering lights on the other side appeared eternal. But in 1994, the world’s last explicit racial segregationist regime collapsed to make way for something unprecedented.

With penetrating psychological insight, intimate reporting, and bewitching prose, The Inheritors tells the story of a country in the throes of a great reckoning. Through the lives of Dipuo, her daughter Malaika, and Christo—one of the last white South Africans drafted to fight for the apartheid regime—award-winning journalist Eve Fairbanks probes what happens when people once locked into certain kinds of power relations find their status shifting. Observing subtle truths about race and power that extend well beyond national borders, she explores questions that preoccupy so many of us today: How can we let go of our pasts, as individuals and as countries? How should historical debts be paid? And how can a person live an honorable life in a society that—for better or worse—they no longer recognize?

Buckle up for a tour of South Africa – your guide the inimitable Sihle Khumalo.

Born in South Africa, and having lived here for almost fifty years, Khumalo reflects on the past and ponders the future of this captivating yet complex country. He delves into the history of the names given to our towns and cities (from Graaff-Reinet to Schweizer-Reneke to Zastron) and in the process raises issues we might not have interrogated fully.

This is a thought-provoking account by a South African who asks uncomfortable questions and forces his compatriots to contemplate what the future of this country (or cowntry) might hold. Why ‘cowntry’, Sihle? Consider the shady characters who’ve been milking this piece of land for centuries. And the fact that some politicians mispronounce the word ‘country’. But who knows? Maybe it is not mispronunciation – perhaps they’re giving us a message: the people in power are milking this country and it’s all just a game…