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Books > Arts & Architecture > Performing arts > Films, cinema > Individual film directors, film-makers
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Stanley Kubrick - Adapting the Sublime (Paperback)
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Stanley Kubrick - Adapting the Sublime (Paperback)
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Although Stanley Kubrick adapted novels and short stories, his
films deviate in notable ways from the source material. In
particular, since 2001: A Space Odyssey (1968), his films seem to
definitively exploit all cinematic techniques, embodying a
compelling visual and aural experience. But, as author Elisa
Pezzotta contends, it is for these reasons that his cinema becomes
the supreme embodiment of the sublime, fruitful encounter between
the two arts and, simultaneously, of their independence. Stanley
Kubrick's last six adaptations--2001: A Space Odyssey, A Clockwork
Orange (1971), Barry Lyndon (1975), The Shining (1980), Full Metal
Jacket (1987), and Eyes Wide Shut (1999)--are characterized by
certain structural and stylistic patterns. These features help to
draw conclusions about the role of Kubrick in the history of
cinema, about his role as an adapter, and, more generally, about
the art of cinematic adaptations. The structural and stylistic
patterns that characterize Kubrick adaptations seem to criticize
scientific reasoning, causality, and traditional semantics. In the
history of cinema, Kubrick can be considered a modernist auteur. In
particular, he can be regarded as an heir of the modernist
avant-garde of the 1920s. However, author Elisa Pezzotta concludes
that, unlike his predecessors, Kubrick creates a cinema not only
centered on the ontology of the medium, but on the staging of
sublime, new experiences.
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