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Dead Time - Temporal Disorders in the Wake of Modernity (Baudelaire and Flaubert) (Paperback)
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Dead Time - Temporal Disorders in the Wake of Modernity (Baudelaire and Flaubert) (Paperback)
Series: Cultural Memory in the Present
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This book explores how modernity gives rise to temporal disorders
when time cannot be assimilated and integrated into the realm of
lived experience. Inspired by Walter Benjamin's description of the
shock experience of modernity through readings of Baudelaire, the
book turns to Baudelaire and Flaubert in order to derive insights
into the many temporal disorders (such as trauma, addiction, and
fetishism) that pervade contemporary culture.
Through close readings of Baudelaire's "Flowers of Evil" and
Flaubert's "Madame Bovary," Elissa Marder argues that these
nineteenth-century texts can, paradoxically, make us aware of
aspects of present-day life that are not easily described or
perceived. Following reflections by Benjamin, Jameson, and Lyotard,
she shows that the ability to measure time increases in inverse
proportion to the human ability to express it and create meaning
through it. Although we have increased our ability to record
events, we have become collectively less able to assimilate the
experience of the very events that new technologies enable us to
record. The literary articulations of addiction and fetishism in
Baudelaire and Flaubert reveal that these temporal disorders can be
understood structurally as expressions of an inability to live in
time. At a psychic level, they can be read as attempts to ward off
increased stimuli and unwanted aspects of reality by stopping time.
The book also interrogates the relationship between misogyny and
modernity. By revealing the privileged function assigned to
feminine figures in Baudelaire and Flaubert, and engaging with
contemporary writings in psychoanalysis, feminism, and cultural
studies, this work shows how the experience of time--and the
attempts to stop it--become inscribed on a feminine or feminized
body. "Dead Time" provides us with a way of understanding how our
own collective temporal disorders may be part of the unassimilated
legacy of nineteenth-century modernity.
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