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Music for the Common Man - Aaron Copland during the Depression and War (Hardcover, New)
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Music for the Common Man - Aaron Copland during the Depression and War (Hardcover, New)
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In the 1930s, Aaron Copland began to write in an accessible style
he described as "imposed simplicity." Works like El Salon Mexico,
Billy the Kid, Lincoln Portrait, and Appalachian Spring feature a
tuneful idiom that brought the composer unprecedented popular
success and came to define an American sound. Yet the cultural
substance of that sound-the social and political perspective that
might be heard within these familiar pieces-has until now been
largely overlooked. While it has long been acknowledged that
Copland subscribed to leftwing ideals, Music for the Common Man is
the first sustained attempt to understand some of Copland's
best-known music in the context of leftwing social, political, and
cultural currents of the Great Depression and Second World War.
Musicologist Elizabeth Crist argues that Copland's politics never
merely accorded with mainstream New Deal liberalism, wartime
patriotism, and Communist Party aesthetic policy, but advanced a
progressive vision of American society and culture. Copland's music
can be heard to accord with the political tenets of progressivism
in the 1930s and '40s, including a fundamental sensitivity toward
those less fortunate, support of multiethnic pluralism, belief in
social democracy, and faith that America's past could be put in
service of a better future. Crist explores how his works wrestle
with the political complexities and cultural contradictions of the
era by investing symbols of America-the West, folk song,
patriotism, or the people-with progressive social ideals. While
much has been written on the relationship between politics and art
in the 1930s and '40s, very little of that attention has been aimed
at the world of concert music. Music for the Common Man offers
fresh insights on familiar pieces and the political context in
which they emerged.
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