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Patents, Pictures and Patronage - John Day and the Tudor Book Trade (Hardcover, New edition)
Loot Price: R4,295
Discovery Miles 42 950
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Patents, Pictures and Patronage - John Day and the Tudor Book Trade (Hardcover, New edition)
Series: St Andrews Studies in Reformation History
Expected to ship within 12 - 17 working days
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John Day (1522-1584) is generally acknowledged to be the foremost
English printer of the later sixteenth century. As well as printing
some of the most important books of his day, most notably John
Foxe's Acts and Monuments, he also pioneered enormous advances in
English typography and book illustration. Yet despite his revered
position in printing history, this book is the first full-length
study to look into Day's life and legacy. Scholars have paid much
attention of late to the Acts and Monuments but without placing it
within the context of Day's overall business strategy. He was a
printer whose success and range of titles, like his connections and
influence, went far beyond John Foxe. Day may have gained his
notoriety as the printer of Foxe's book but in order to understand
both the man and his business, as Evenden shows, we must look at
the wider range of Day's productions and the motivation behind
them. The study begins by setting Day in the context of the
sixteenth-century printing industry, examining his disputed origins
and his establishment as a London printer. A number of Day's most
celebrated Elizabethan productions are then discussed in detail, in
order to understand not only his business strategies but also his
religious and political affiliations throughout this period;
similarly, Evenden examines his connections with the Stranger
communities in London, and how they assisted Day's business and
helped to enhance his reputation. Throughout the book it is argued
that Day's printing empire and wealth were founded on a combination
of two crucial factors: outstanding technical skills, and the
ability to attract patrons and patents. Day carried out technically
demanding printing assignments (most notably the heavily
illustrated Acts and Monuments) for leading Elizabethan statesmen
and churchmen and was rewarded with exclusive rights to print more
lucrative works such as the ABC, Catechism, and Metrical Psalms.
Thus, his success rested on both cheap and exp
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