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In Senghor's Shadow - Art, Politics, and the Avant-Garde in Senegal, 1960–1995 (Paperback, New)
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In Senghor's Shadow - Art, Politics, and the Avant-Garde in Senegal, 1960–1995 (Paperback, New)
Series: Objects/Histories
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In Senghor’s Shadow is a unique study of modern art in
postindependence Senegal. Elizabeth Harney examines the art that
flourished during the administration of Léopold Sédar Senghor,
Senegal’s first president, and in the decades since he stepped
down in 1980. As a major philosopher and poet of Negritude, Senghor
envisioned an active and revolutionary role for modern artists, and
he created a well-funded system for nurturing their work. In
questioning the canon of art produced under his aegis—known as
the Ecole de Dakar—Harney reconsiders Senghor’s Negritude
philosophy, his desire to express Senegal’s postcolonial national
identity through art, and the system of art schools and exhibits he
developed. She expands scholarship on global modernisms by
highlighting the distinctive cultural history that shaped
Senegalese modernism and the complex and often contradictory
choices made by its early artists.Heavily illustrated with nearly
one hundred images, including some in color, In Senghor’s Shadow
surveys the work of a range of Senegalese artists, including
painters, muralists, sculptors, and performance-based groups—from
those who worked at the height of Senghor’s patronage system to
those who graduated from art school in the early 1990s. Harney
reveals how, in the 1970s, avant-gardists contested Negritude
beliefs by breaking out of established artistic forms. During the
1980s and 1990s, artists such as Moustapha Dimé, Germaine Anta
Gaye, and Kan-Si engaged with avant-garde methods and local
artistic forms to challenge both Senghor’s legacy and the broader
art world’s understandings of cultural syncretism. Ultimately,
Harney’s work illuminates the production and reception of modern
Senegalese art within the global arena.
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