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Hard Times - The Adult Musical in 1970s New York City (Hardcover)
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Hard Times - The Adult Musical in 1970s New York City (Hardcover)
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One legacy of the 1960s sexual revolution was the "adult" musical
of the 1970s. Adult musicals distinguished themselves from other
types of musicals in their reliance on strong sexual content,
frequent nudity, and simulated sexual activity. Cheap to produce,
adult musicals proliferated in New York's theatres at a time when
the city was teetering toward bankruptcy and tourism was sharply
declining. Influenced by the overwhelming success in 1968 of
"Hair"-the first Broadway musical to feature nudity-as well as by a
series of legal rulings about the nature of obscenity, adult
musicals became faddish in part because they allowed theatre
producers to attract audiences at a time of economic crisis while
simultaneously slashing budgets typically allotted for scenery,
props and, of course, costumes. Typically structured like
old-fashioned revues, with thematically interconnected songs and
skits, adult musicals like "Stag Movie," "Let My People Come," "The
Faggot," and the long-running "Oh! Calcutta!" were reviled by
theatre critics, who tended to dismiss them as either going too far
in the direction of hard-core pornography or, conversely, of not
being erotic enough. But critics, who could typically close a show
with a single scathing review, were no match for the public
appetite for sex and even the shows that got the worst reviews
usually made money. Adult musicals disappeared almost entirely by
the early 1980s, as the city's economy improved and the country
grew more socio-politically conservative, and they have since been
dismissed by writers and critics as a silly fad befitting a silly
decade. Author Elizabeth Wollman finds a much richer story in adult
musicals, illustrating how they both drew from and reflected
aspects of American culture at a particularly tumultuous time: the
country's rapidly changing sexual mores, the women's and gay
liberation movements, New York City's socioeconomic status, and
contemporary debates on the relationship between art and obscenity.
She argues that because of their middlebrow appeal and their
concentration in a city that experienced the 1970s in especially
turbulent ways, adult musicals represent aspects of 1970s American
culture at their messiest and most confused, and thus, perhaps, at
their most honest.
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