In 1865, the American landscape painter Frederic Edwin Church
and his wife, Isabel, traveled to Jamaica on a sojourn of recovery
after the tragic deaths of their two young children Herbert and
Emma. A time to mourn and escape from the constant reminders found
at their home, Olana, the Churches' trip to Jamaica also provided
ample inspiration for Frederic.
The Olana Collection includes eight oil sketches, an ink
drawing, and a pencil drawing Church made in Jamaica. Five of these
oil sketches on paper Church chose to mount to canvas and frame for
his and Isabel's enjoyment; over the years they have hung in
different rooms at Olana. From these works, and others held by the
Cooper-Hewitt, Church created two major studio oils, The Vale of
St. Thomas, Jamaica, 1867 (the Wadsworth Atheneum) and The After
Glow, 1867 (the Olana Collection). Within Church's oeuvre the
studies of Jamaican sunsets, mountains, and foliage are
particularly lovely. Church wrote of Jamaica: "The scenery is
superb. . . . I have accomplished a great amount of work but there
is so much to do that I am at a loss to decide day by day what to
paint."
The 2010 exhibit at Olana will help explain Church's working
process by showing Sunset Jamaica and the resulting studio work The
After Glow together; it will include five works never before
exhibited and reveal Church's interesting use of his photography
collection both as an aide-memoire and as substrate for sketching.
Fern Hunting among Picturesque Mountains includes forty-eight color
illustrations, as well as essays by Elizabeth Mankin Kornhauser (on
Church's Jamaica work) and Katherine Manthorne (about Church's
friends and fellow artists who also traveled to Jamaica to
paint)."
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