Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Women and Mobility on Shakespeare's Stage - Migrant Mothers and Broken Homes (Hardcover)
Loot Price: R4,297
Discovery Miles 42 970
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Women and Mobility on Shakespeare's Stage - Migrant Mothers and Broken Homes (Hardcover)
Series: Routledge Studies in Shakespeare
Expected to ship within 12 - 17 working days
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Long before the economist Amartya Sen proposed that more than 100
million women were missing-lost to disease or neglect, kidnapping
or forced marriage, denied the economic and political security of
wages or membership in a larger social order-Shakespeare was
interested in such women's plight, how they were lost, and where
they might have gone. Characters like Shakespeare's Cordelia and
Perdita, Rosalind and Celia constitute a collection of figures
related to the mythical Persephone who famously returns to her
mother and the earth each spring, only to withdraw from the world
each winter when she is recalled to the underworld. That women's
place is far from home has received little attention from literary
scholars, however, and the story of their fraught relation to
domestic space or success outside its bounds is one that hasn't
been told. Women and Mobility investigates the ways Shakespeare's
plays link female characters' agency with their mobility and thus
represent women's ties to the household as less important than
their connections to the larger world outside. Female migration is
crucial to ideas about what early modern communities must retain
and expel in order to carve a shared history, identity and moral
framework, and in portraying women as "sometime daughters" who
frequently renounce fathers and homelands, or queens elsewhere
whose links to faraway places are vital to the rebuilding of homes
and kingdoms, Shakespeare also depicts global space as shared space
and the moral world as an international one.
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