Over the past fifty years, debates about human rights have
assumed an increasingly prominent place in postcolonial literature
and theory. Writers from Salman Rushdie to Nawal El Saadawi have
used the novel to explore both the possibilities and challenges of
enacting and protecting human rights, particularly in the Global
South. In Fictions of Dignity, Elizabeth S. Anker shows how the
dual enabling fictions of human dignity and bodily integrity
contribute to an anxiety about the body that helps to explain many
of the contemporary and historical failures of human rights,
revealing why and how lives are excluded from human rights
protections along the lines of race, gender, class, disability, and
species membership. In the process, Anker examines the vital work
performed by a particular kind of narrative imagination in
fostering respect for human rights. Drawing on phenomenology, Anker
suggests how an embodied politics of reading might restore a vital
fleshiness to the overly abstract, decorporealized subject of
liberal rights.
Each of the novels Anker examines approaches human rights in
terms of limits and paradoxes. Rushdie's Midnight's Children
addresses the obstacles to incorporating rights into a formerly
colonized nation's legal culture. El Saadawi s Woman at Point Zero
takes up controversies over women s freedoms in Islamic society. In
Disgrace, J. M. Coetzee considers the disappointments of
post-apartheid reconciliation in South Africa. And in The God of
Small Things, Arundhati Roy confronts an array of human rights
abuses widespread in contemporary India. Each of these literary
case studies further demonstrates the relevance of embodiment to
both comprehending and redressing the failures of human rights,
even while those narratives refuse simplistic ideals or
solutions."
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