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Books > Arts & Architecture > Music > Western music, periods & styles > 20th century music

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Musical Symbolism in the Operas of Debussy and Bartok - Trauma, Gender, and the Unfolding of the Unconscious (Hardcover, New) Loot Price: R4,073
Discovery Miles 40 730
Musical Symbolism in the Operas of Debussy and Bartok - Trauma, Gender, and the Unfolding of the Unconscious (Hardcover, New):...

Musical Symbolism in the Operas of Debussy and Bartok - Trauma, Gender, and the Unfolding of the Unconscious (Hardcover, New)

Elliot Antokoletz

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Loot Price R4,073 Discovery Miles 40 730 | Repayment Terms: R382 pm x 12*

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Two early twentieth-century operas -- Debussy's Pelleas et Melisande (1902) and Bartok's Duke Bluebeard's Castle (1911) -- transformed the traditional major/minor scale system into a new musical language. This new language was based almost exclusively on interactions between folk modalities and their more abstract symmetrical transformations. Elliott Antokoletz reveals not only the new musical language of these operas, but also the way in which they share a profound correspondence with the growing symbolist literary movement as reflected in their libretti. In the symbolist literary movement, authors reacted to the realism of nineteenth-century theatre by conveying meaning by suggestion, rather than direct statement. The symbolist conception included a new interest in psychological motivation and consciousness manifested itself in metaphor, ambiguity, and symbol.
In this groundbreaking study, Antokoletz links the new musical language of these two operas with this symbolist conception and reveals a direct connection between the Debussy and Bartok operas. He shows how the opposing harmonic extremes serve as a basis for the dramatic polarity between real-life beings and symbols of fate. He also explores how the libretti by Franco-Belgian poet Maurice Maeterlinck (Pelleas et Melisande) and his Hungarian disciple Bela Balazs (Duke Bluebeard's Castle) transform the internal concept of subconscious motivation into an external one, one in which fate controls human emotions and actions.
Using a pioneering approach to theoretical analysis, Antokoletz, explores the new musico-dramatic relations within their larger historical, social psychological, philosophical, and aesthetic contexts.

General

Imprint: Oxford UniversityPress
Country of origin: United States
Release date: December 2004
First published: July 2004
Authors: Elliot Antokoletz
Dimensions: 243 x 163 x 26mm (L x W x T)
Format: Hardcover
Pages: 336
Edition: New
ISBN-13: 978-0-19-510383-0
Categories: Books > Arts & Architecture > Performing arts > Theatre, drama > Opera
Books > Arts & Architecture > Music > Western music, periods & styles > 20th century music
Books > Music > Western music, periods & styles > 20th century music
LSN: 0-19-510383-1
Barcode: 9780195103830

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