Emil Staiger (1908-1987), a native of Switzerland, was one of
the foremost scholars in the field of literary studies.
Grundbegriffe der Poetik is a monument in the history of literary
criticism that has been unavailable to the English reader until
now. Of Staiger's works, Poetics is probably the most radical, the
most disruptive, for it constructs a revolutionary new poetics and
erects it alongside the old traditional Aristotelian one. Here
Staiger challenges the usefulness of the most distinguished of
Western literary critical paradigms, the genre theory, that since
the eighteenth century has been part of critics' indispensable
theoretical equipment--a sort of literary sine qua non. In its
stead, Staiger proposes to explain literary genres on the basis of
fundamental patterns of literary creativity. He selects his
examples from various European literary traditions, thus engaging
the scholar as well as the comparatist in national literatures. By
choosing an inductive method, he speaks to all concerned with
literary values.
In her introduction, Luanne Frank establishes how the Poetics
mediates between those modes of criticism current in the 1940s and
those of the 1980s, as well as between those held by European
scholars and those embraced by American scholars. Frank places
Staiger's work within the history of genre criticism from an
American perspective, defines its goals and merits, and formulates
a critical response long overdue in Europe and most welcome in the
United States.
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