The twentieth-century Scottish renaissance - the literary and
artistic revival which followed the end of the First World War -
advanced a claim for a distinctive Scottish identity: cultural,
political and national. Unlike earlier nineteenth-century Celtic
revivals, this renaissance was both outward-looking and confidently
contemporary; it embraced continental European influences as well
as those of Anglophone writers such as Eliot, Joyce, Pound and
Lawrence, and contributed to the development of what we now call
modernism. This collection of essays, from fourteen scholars,
illustrates the strongly international and modernist dimension of
Scotland's interwar revival, and illuminates the relationships
between Scottish and non-Scottish writers and contexts. It also
includes two chapters on the contribution made to this revival by
Scottish visual art and music. These essays are based on papers
originally presented at the 38th ASLS Annual Conference, 'Scottish
and International Modernism', held at the University of Stirling,
6-7 June 2009.
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