Making a Performance traces innovations in devised performance
from early theatrical experiments in the twentieth-century to the
radical performances of the twenty-first century.
This introduction to the theory, history and practice of devised
performance explores how performance-makers have built on the
experimental aesthetic traditions of the past. It looks to
companies as diverse as Australia's Legs on the Wall, Britain's
Forced Entertainment and the USA-based Goat Island to show how
contemporary practitioners challenge orthodoxies to develop new
theatrical languages.
Designed to be accessible to both scholars and practitioners,
this study offers clear, practical examples of concepts and ideas
that have shaped some of the most vibrant and experimental
practices in contemporary performance.
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