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The Hammers of Creation - Folk Culture in Modern African-American Fiction (Paperback, New edition)
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The Hammers of Creation - Folk Culture in Modern African-American Fiction (Paperback, New edition)
Series: Mercer University Lamar Memorial Lectures
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In ""The Hammers of Creation"", Eric J. Sundquist analyzes the
powerful role played by folk culture in three major African
American novels of the early twentieth century: James Weldon
Johnson's ""The Autobiography of an Ex-Coloured Man"", Zora Neale
Hurston's ""Jonah's Gourd Vine"", and Arna Bontemps's ""Black
Thunder"". Sundquist explains how the survival of cultural
traditions originating in Africa and in slavery became a means of
historical reflection and artistic creation for modern writers. He
goes on to illustrate and compare how the three representative
novels use aspects of African American culture, including the
folklore of slavery, black music from spirituals to jazz, black
worship and sermonic form, and African American resistance to
slavery and segregation. ""The Hammers of Creation"" focuses on the
unique narrative form of each of the three novels - Johnson's
fictive autobiography, Hurston's ethnographic commentary combined
with personal narrative, and Bontemps's historical fiction based on
Gabriel's slave rebellion - to illustrate the range of fictional
strategies black writers have employed. Through their attempts to
gain cultural integrity, Sundquist explains, these writers were
able to recover and preserve vital aspects of African American
history. Sundquist argues that by incorporating vernacular culture
and the oral tradition into their works, Johnson, Hurston, and
Bontemps challenge the primacy of written narrative while creating
an African American literary tradition that links the world of
African ancestors and antebellum culture to the world of
contemporary letters.
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