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Love & Theft - Blackface Minstrelsy and the American Working Class (Paperback, Anniversary)
Loot Price: R933
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Love & Theft - Blackface Minstrelsy and the American Working Class (Paperback, Anniversary)
Series: Race and American Culture
Expected to ship within 10 - 15 working days
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For over two centuries, America has celebrated the very black
culture it attempts to control and repress, and nowhere is this
phenomenon more apparent than in the strange practice of blackface
performance. Born of extreme racial and class conflicts, the
blackface minstrel show sometimes usefully intensified them. Based
on the appropriation of black dialect, music, and dance, minstrelsy
at once applauded and lampooned black culture, ironically
contributing to a "blackening of America." Drawing on recent
research in cultural studies and social history, Eric Lott examines
the role of the blackface minstrel show in the political struggles
of the years leading up to the Civil War. Reading minstrel music,
lyrics, jokes, burlesque skits, and illustrations in tandem with
working-class racial ideologies and the sex/gender system, Love and
Theft argues that blackface minstrelsy both embodied and disrupted
the racial tendencies of its largely white, male, working-class
audiences. Underwritten by envy as well as repulsion, sympathetic
identification as well as fear-a dialectic of "love and theft"-the
minstrel show continually transgressed the color line even as it
enabled the formation of a self-consciously white working class.
Lott exposes minstrelsy as a signifier for multiple breaches: the
rift between high and low cultures, the commodification of the
dispossessed by the empowered, the attraction mixed with guilt of
whites caught in the act of cultural thievery.
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