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Prove It On Me - New Negroes, Sex, and Popular Culture in the 1920s (Hardcover)
Loot Price: R4,190
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Prove It On Me - New Negroes, Sex, and Popular Culture in the 1920s (Hardcover)
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In the wake of the Great Migration of thousands of African
Americans from the scattered hamlets and farms of the rural South
to the nation's burgeoning cities, a New Negro ethos of modernist
cultural expression and potent self-determination arose to
challenge white supremacy and create opportunities for racial
advancement. In Prove It On Me, Erin D. Chapman explores the gender
and sexual politics of this modern racial ethos and reveals the
constraining and exploitative underside of the New Negro era's
vaunted liberation and opportunities. Chapman's cultural history
documents the effects on black women of the intersection of
primitivism, New Negro patriarchal aspirations, and the early
twentieth-century consumer culture. As U.S. society invested in the
New Negroes, turning their expressions and race politics into
entertaining commodities in a sexualized, primitivist popular
culture, the New Negroes invested in the idea of black womanhood as
a pillar of stability against the unsettling forces of myriad
social and racial transformations. And both groups used black
women's bodies and identities to "prove " their own modern notions
and new identities. Chapman's analysis brings together
advertisements selling the blueswoman to black and white consumers
in a "sex-race marketplace, " the didactic preachments of New Negro
reformers advocating a conservative gender politics of "race
motherhood, " and the words of the New Negro women authors and
migrants who boldly or implicitly challenged these dehumanizing
discourses. Prove It On Me investigates the uses made of black
women's bodies in 1920s popular culture and racial politics and
black women's opportunities to assert their own modern, racial
identities.
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