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Thinking Fascism - Sapphic Modernism and Fascist Modernity (Paperback, New Ed)
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Thinking Fascism - Sapphic Modernism and Fascist Modernity (Paperback, New Ed)
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"Thinking Fascism" analyzes three works by women writers--Djuna
Barnes's "Nightwood" (1936), Marguerite Yourcenar's "Denier du
reve" (1934), and Virginia Woolf's "Three Guineas" (1938)--that
engage, directly or indirectly, with fascist politics and ideology.
Through these analyses, the author explores the conjunction between
fascism and other forms of modernity, and refines the discussion
about the relationship between women intellectuals and the various
aesthetic and ideological practices collected under the names of
modernism and facism.
Until recently, much theoretical work on fascism has represented
fascist thought as radically different from and inimical to
non-fascist thought, and feminist criticism has further assumed
that women intellectuals--especially the sexually marginal women
sometimes grouped as the "Sapphic Modernists"--were necessarily
antagonistic to fascist ideologies. In contrast, the author argues
that Western intellectuals of both genders and all political
persuasions were preoccupied in the 1930's with the commodification
of culture and sexuality, the erasure of liberal bourgeois concepts
of the individual and the work of art in mass society, and the
failure of social institutions to provide transcendence and
immediacy in the face of these transformations. By demonstrating
that women writers like the Sapphic Modernists and conservative or
fascist male modernists often articulated very similar conceptions
of these problems, this book suggests that fascism cannot be posed
as the absolute other of non- or even anti-fascist
politico-cultural discourses in the interwar period.
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