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Books > Arts & Architecture > Music > Western music, periods & styles > Medieval & Renaissance music (c 1000 to c 1600)

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Reverberating Song in Shakespeare and Milton - Language, Memory, and Musical Representation (Hardcover, New Ed) Loot Price: R4,451
Discovery Miles 44 510
Reverberating Song in Shakespeare and Milton - Language, Memory, and Musical Representation (Hardcover, New Ed): Erin Minear

Reverberating Song in Shakespeare and Milton - Language, Memory, and Musical Representation (Hardcover, New Ed)

Erin Minear

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Loot Price R4,451 Discovery Miles 44 510 | Repayment Terms: R417 pm x 12*

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In this study, Erin Minear explores the fascination of Shakespeare and Milton with the ability of music-heard, imagined, or remembered-to infiltrate language. Such infected language reproduces not so much the formal or sonic properties of music as its effects. Shakespeare's and Milton's understanding of these effects was determined, she argues, by history and culture as well as individual sensibility. They portray music as uncanny and divine, expressive and opaque, promoting associative rather than logical thought processes and unearthing unexpected memories. The title reflects the multiple and overlapping meanings of reverberation in the study: the lingering and infectious nature of musical sound; the questionable status of audible, earthly music as an echo of celestial harmonies; and one writer's allusions to another. Minear argues that many of the qualities that seem to us characteristically 'Shakespearean' stem from Shakespeare's engagement with how music works-and that Milton was deeply influenced by this aspect of Shakespearean poetics. Analyzing Milton's account of Shakespeare's 'warbled notes,' she demonstrates that he saw Shakespeare as a peculiarly musical poet, deeply and obscurely moving his audience with language that has ceased to mean, but nonetheless lingers hauntingly in the mind. Obsessed with the relationship between words and music for reasons of his own, including his father's profession as a composer, Milton would adopt, adapt, and finally reject Shakespeare's form of musical poetics in his own quest to 'join the angel choir.' Offering a new way of looking at the work of two major authors, this study engages and challenges scholars of Shakespeare, Milton, and early modern culture.

General

Imprint: Ashgate Publishing Limited
Country of origin: United Kingdom
Release date: November 2011
First published: 2011
Authors: Erin Minear
Dimensions: 234 x 156 x 18mm (L x W x T)
Format: Hardcover
Pages: 296
Edition: New Ed
ISBN-13: 978-1-4094-3545-7
Categories: Books > Arts & Architecture > The arts: general issues > General
Books > Arts & Architecture > Music > Western music, periods & styles > Medieval & Renaissance music (c 1000 to c 1600)
Books > Language & Literature > Literature: history & criticism > Literary studies > 16th to 18th centuries
Books > Language & Literature > Literature: texts > Drama texts, plays > 16th to 18th centuries > Shakespeare plays, texts
Books > Music > Western music, periods & styles > Medieval & Renaissance music (c 1000 to c 1600)
Promotions > Women In Power > Books
LSN: 1-4094-3545-8
Barcode: 9781409435457

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