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The Chinese Written Character as a Medium for Poetry - A Critical Edition (Paperback, New)
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The Chinese Written Character as a Medium for Poetry - A Critical Edition (Paperback, New)
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First published in 1919 by Ezra Pound, Ernest Fenollosa's essay on
the Chinese written language has become one of the most often
quoted statements in the history of American poetics. As edited by
Pound, it presents a powerful conception of language that continues
to shape our poetic and stylistic preferences: the idea that poems
consist primarily of images; the idea that the sentence form with
active verb mirrors relations of natural force. But previous
editions of the essay represent Pound's understanding-it is fair to
say, his appropriation-of the text. Fenollosa's manuscripts, in the
Beinecke Library of Yale University, allow us to see this essay in
a different light, as a document of early, sustained cultural
interchange between North America and East Asia. Pound's editing of
the essay obscured two important features, here restored to view:
Fenollosa's encounter with Tendai Buddhism and Buddhist ontology,
and his concern with the dimension of sound in Chinese poetry. This
book is the definitive critical edition of Fenollosa's important
work. After a substantial Introduction, the text as edited by Pound
is presented, together with his notes and plates. At the heart of
the edition is the first full publication of the essay as Fenollosa
wrote it, accompanied by the many diagrams, characters, and notes
Fenollosa (and Pound) scrawled on the verso pages. Pound's
deletions, insertions, and alterations to Fenollosa's sometimes
ornate prose are meticulously captured, enabling readers to follow
the quasi-dialogue between Fenollosa and his posthumous editor.
Earlier drafts and related talks reveal the developmentof
Fenollosa's ideas about culture, poetry, and translation. Copious
multilingual annotation is an important feature of the edition.
This masterfully edited book will be an essential resource for
scholars and poets and a starting point for a renewed discussion of
the multiple sources of American modernist poetry.
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