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Composing for the State - Music in Twentieth-Century Dictatorships (Hardcover, New Ed)
Loot Price: R4,079
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Composing for the State - Music in Twentieth-Century Dictatorships (Hardcover, New Ed)
Series: Musical Cultures of the Twentieth Century
Expected to ship within 12 - 17 working days
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Under the dictatorships of the twentieth century, music never
ceased to sound. Even when they did not impose aesthetic standards,
these regimes tended to favour certain kinds of art music such as
occasional works for commemorations or celebrations, symphonic
poems, cantatas and choral settings. In the same way, composers who
were more or less ideologically close to the regime wrote pieces of
music on their own initiative, which amounted to a support of the
political order. This book presents ten studies focusing on music
inspired and promoted by regimes such as Nazi Germany, Fascist
Italy, France under Vichy, the USSR and its satellites, Franco's
Spain, Salazar's Portugal, Maoist China, and Latin-American
dictatorships. By discussing the musical works themselves, whether
they were conceived as ways to provide "music for the people", to
personally honour the dictator, or to participate in State
commemorations of glorious historical events, the book examines the
relationship between the composers and the State. This important
volume, therefore, addresses theoretical issues long neglected by
both musicologists and historians: What is the relationship between
art music and propaganda? How did composers participate in musical
life under the control of an authoritarian State? What was
specifically political in the works produced in these contexts? How
did audiences react to them? Can we speak confidently about "State
music"? In this way, Composing for the State: Music in Twentieth
Century Dictatorships is an essential contribution to our
understanding of musical cultures of the twentieth century, as well
as the symbolic policies of dictatorial regimes.
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