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Anything Goes - A History of American Musical Theatre (Paperback)
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Anything Goes - A History of American Musical Theatre (Paperback)
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Ethan Mordden has been hailed as "a sharp-eared listener and a
discerning critic," by Opera News, which compares his books to
"dinner with a knowledgeable, garrulous companion." The "preeminent
historian of the American musical" (New York Times), he "brings
boundless energy and enthusiasm buttressed by an arsenal of smart
anecdotes" (Wall Street Journal). Now Mordden offers an entirely
fresh and infectiously delightful history of American musical
theatre. Anything Goes stages a grand revue of the musical from the
1920s through the 1970s, narrated in Mordden's famously witty,
scholarly, and conversational style. He peers with us over Stephen
Sondheim's shoulder as he composes at the piano. He places us in a
bare rehearsal room as the cast of Oklahoma! changes history by
psychoanalyzing the plot in the greatest of the musical's many
Dream Ballets. And he gives us tickets for orchestra seats on
opening night-raising the curtain on the pleasures of Victor
Herbert's The Red Mill and the thrill of Porgy and Bess. Mordden
examines the music, of course, but also more neglected elements.
Dance was once considered as crucial as song; he follows it from
the nineteenth century's zany hoofing to tap "combinations" of the
1920s, from the injection of ballet and modern dance in the 1930s
and '40s to the innovations of Bob Fosse. He also explores the
changing structure of musical comedy and operetta, and the
evolution of the role of the star. Fred Stone, the avuncular
Scarecrow in the Wizard of Oz, seldom varied his acting from part
to part; but the versatile Ethel Merman turned the headlining role
inside out in Gypsy, playing a character who was selfish, fierce,
and destructive. From "ballad opera" to burlesque, from Fiddler on
the Roof to Rent, the history and lore of the musical unfolds here
in a performance worthy of a standing ovation.
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