In this original study, Thompson explores the complicated
relationships between Americans and television during the 1950s, as
seen and effected through popular humor. Parody and Taste in
Postwar American Television Culture documents how Americans grew
accustomed to understanding politics, current events, and popular
culture through comedy that is simultaneously critical, commercial,
and funny. Along with the rapid growth of television in the 1950s,
an explosion of satire and parody took place across a wide field of
American culture in magazines, comic books, film, comedy albums,
and on television itself. Taken together, these case studies don t
just analyze and theorize the production and consumption of parody
and television, but force us to revisit and revise our notions of
postwar "consensus" culture as well.
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