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Modernism and the Critical Spirit (Hardcover)
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Modernism and the Critical Spirit (Hardcover)
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Complaints about the decline of critical standards in literature
and culture in general have been voiced for much of the twentieth
century. These have extended from F.R. Leavis's laments for a "lost
center of intelligence and urbane spirit," to current opposition to
the predominance of radical critical theory in contemporary
literature departments. Humanist criticism, which has as its object
the quality of life as well as works of art, may well lack
authority in the contemporary world. Even amid the disruptions of
the industrial revolution, nineteenth-century humanists such as
Matthew Arnold, John Ruskin, and Thomas Carlyle could assume a
positive order of value and shared habits of imaginative perception
and understanding between writers and readers. Eugene Goodheart
argues that, by contrast, contemporary criticism is infused with
the skepticism of modernist aesthetics. It has willfully rejected
the very idea of moral authority.Goodheart starts from the premise
that questions about the moral authority of literature and
criticism often turn upon a prior question of what happens when the
sacred disappears or is subjected to the profane. He focuses on
contending spiritual views, in particular the dialectic between the
Protestant-inspired, largely English humanist tradition of Carlyle,
Ruskin, Arnold, and D.H. Lawrence and the decay of Catholicism
represented by James Joyce and T.S. Eliot. Goodheart argues that
literary modernism, in distancing itself from natural and social
vitality, tends to render suspect all privileged positions. It
thereby undermines the critical act, which assumes the priority of
a particular set of values. Goodheart makes his case by analyzing
the work of a variety of novelists, poets, and critics, nineteenth
century and contemporary. He blends literary theory and practical
criticism.
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