Modernism and Coherence is an attempt to develop a negative
aesthetics conceived as determinate resistance of artworks against
the meaning assigned to them by criticism. From the accumulation of
arguments on great texts of modernism, the book describes gestures
of refusal that generate figures of negativity: Adorno's Aesthetic
Theory becomes a whirlpool revolving around a center refusing
predication; Wallace Stevens' poetry exhibits a phonetic escape
valve against the pressure of reality; Robert Frost writes a poem
that is ahead of you in both senses of the expression; and James
Joyce's Ulysses reads its readers in waves of self-folding. This
book is an effort to salvage literature as something in itself in a
world that increasingly can only see what is for the other.
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