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Festival Culture in the World of the Spanish Habsburgs (Hardcover, New Ed)
Loot Price: R3,916
Discovery Miles 39 160
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Festival Culture in the World of the Spanish Habsburgs (Hardcover, New Ed)
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In recent years, there has been an increasing interest in Early
Modern Festivals. These spectacles articulated the self-image of
ruling elites and played out the tensions of the diverse social
strata. Responding to the growing academic interest in festivals
this volume focuses on the early modern Iberian world, in
particular the spectacles staged by and for the Spanish Habsburgs.
The study of early modern Iberian festival culture in Europe and
the wider world is surprisingly limited compared to the published
works devoted to other kingdoms at the time. There is a clear need
for scholarly publications to examine festivals as a vehicle for
the presence of Spanish culture beyond territorial boundaries. The
present books responds to this shortcoming. Festivals and
ceremonials played a major role in the Spanish world; through them
local identities as well as a common Spanish culture made their
presence manifest within and beyond the peninsula through ephemeral
displays, music and print. Local communities often conflated their
symbols of identity with religious images and representations of
the Spanish monarchy. The festivals (fiestas in Spanish)
materialized the presence of the Spanish diaspora in other European
realms. Royal funerals and proclamations served to establish kingly
presence in distant and not so distant lands. The socio-political,
religious and cultural nuances that were an intrinsic part of the
territories of the empire were magnified and celebrated in the
Spanish festivals in Europe, Iberia and overseas viceroyalties.
Following a foreword and an introduction the remaining 12 chapters
are divided up into four sections. The first explores Habsburg
Visual culture at court and its relationship with the creation of a
language of triumph and the use of tapestries in festivals. The
second part examines triumphal entries in Madrid, Lisbon, Cremona,
Milan, Pavia and the New World; the third deals with the
relationship between religion and the empire through the
examination of royal funerals, hagiography and calendric
celebrations. The fourth part of the book explores cultural,
artistic and musical exchange in Naples and Rome. Taken together
these essays contribute further to our growing appreciation of the
importance of early-modern festival culture in general, and their
significance in the world of the Spanish Habsburgs in particular.
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