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Lots of Fun at Finnegans Wake - Unravelling Universals (Hardcover)
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Lots of Fun at Finnegans Wake - Unravelling Universals (Hardcover)
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This book is a critical introduction to Finnegans Wake and its
genesis. Finn Fordham provides a survey of critical, scholarly, and
theoretical approaches to Joyce's iconic masterpiece. He also
analyses in detail the compositional development of certain key
passages which describe the artist (Shem) and his project; the
river-mother (ALP) and her 'first kiss'; the Oedipal shooting of
the universal father (HCE) by the priestly son (Shaun); and the
bewitching and curious daughter (Issy). His analyses demonstrate
'genetic' ways of reading the text which illustrate its immense
range and playfulness and how these qualities were generated in
composition. As well as opening up the densely detailed textuality
of the Wake in all its multiplicity, Fordham argues for a relation
between the way the text was formed and key aspects of its thematic
content: an uprising of particularity and detail against
universality, absolutes, and generality. He shows that the
proliferation of individuated textual details overwhelms any
unitary concept to the text. And this reflects an idealized and
utopian uprising as it overcomes centralizing singularity:
Finnegans do wake up. As part of this argument he proposes a
qualified return to a notion of character - qualified in that
characters can be understood in part as reflecting the character of
compositional techniques: self-criticism and concealment, expansion
and growth, flow and reflection, transferral and transformation.
The character of the text's composition as a whole can be,
paradoxically, summed up in the force of individuated multitudes:
in the people, male and female, young and old, combining to
overwhelm syntactic uniformity and singular signification.
Quotations from the works of James Joyce reproduced with permission
of the Estate of James Joyce, (c) Estate of James Joyce. We regret
that acknowledgement to the James Joyce Estate for permission to
include material by James Joyce was not included in the first
printing of this book.
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