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Lots of Fun at Finnegans Wake - Unravelling Universals (Paperback)
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Lots of Fun at Finnegans Wake - Unravelling Universals (Paperback)
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This book is a critical introduction to Finnegans Wake and its
genesis. As well as offering a survey of critical, scholarly and
theoretical approaches to Joyce's masterpiece, it analyses in
detail the compositional development of certain key passages which
describe the artist (Shem) and his project; the river-mother (ALP)
and her 'first kiss'; the Oedipal shooting of the universal father
(HCE) by the priestly son (Shaun); and the bewitching and curious
daughter (Issy). The analyses demonstrate 'genetic' ways of reading
the text which illustrate its immense range and playfulness and how
these qualities were generated in composition. As well as opening
up the densely detailed textuality of the Wake in all its
multiplicity, Fordham argues for a relation between the way the
text was formed and key aspects of its thematic content: an
uprising of particularity and detail against universality,
absolutes and generality. The proliferation of individuated textual
details overwhelm any unitary concept to the text. And this
reflects an idealised and utopian uprising as it overcomes
centralising singularity: Finnegans do wake up. As part of this
argument a qualified return to a notion of character is proposed.
But it is qualified in that characters can be understood in part as
reflecting the character of compositional techniques:
self-criticism and concealment, expansion and growth, flow and
reflection, transferral and transformation. The character of the
text's composition as a whole can be, paradoxically, summed up in
the force of individuated multitudes: in the people, both male and
female, young and old, combining to overwhelm syntactic uniformity
and singular signification.
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