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The Truth Is Always Grey - A History of Modernist Painting (Paperback)
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The Truth Is Always Grey - A History of Modernist Painting (Paperback)
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Changing how we look at and think about the color grey Why did many
of the twentieth century’s best-known abstract painters often
choose grey, frequently considered a noncolor and devoid of
meaning? Frances Guerin argues that painters (including Jasper
Johns, Cy Twombly, Agnes Martin, Brice Marden, Mark Rothko, and
Gerhard Richter) select grey to respond to a key question of
modernist art: What is painting? By analyzing an array of
modernist paintings, Guerin demonstrates that grey has a unique
history and a legitimate identity as a color. She traces its use by
painters as far back as medieval and Renaissance art, through
Romanticism, to nineteenth- and twentieth-century modernism to show
how grey is the perfect color to address the questions asked by
painting within art history and to articulate the relationship
between painting and the historical world of industrial
modernity. A work of exceptional erudition, breadth, and
clarity, presenting an impressive range of canonical paintings
across centuries as examples, The Truth Is Always Grey is a
treatise on color that allows us to see something entirely new in
familiar paintings and encourages our appreciation for the
innovation and dynamism of the color grey.
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