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Art Record Covers (English, French, German, Hardcover, Multilingual edition)
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Art Record Covers (English, French, German, Hardcover, Multilingual edition)
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Since the dawn of modernism, visual and music production have had a
particularly intimate relationship. From Luigi Russolo's 1913
Futurist manifesto L'Arte dei Rumori (The Art of Noise) to Marcel
Duchamp's 1925 double-sided discs Rotoreliefs, the 20th century saw
ever more fertile exchange between sounds and shapes, marks and
melodies, and different fields of composition and performance. In
Francesco Spampinato's unique anthology of artists' record covers,
we discover the rhythm of this particular cultural history. The
book presents 500 covers and records by visual artists from the
1950s through to today, exploring how modernism, Pop Art,
Conceptual Art, postmodernism, and various forms of contemporary
art practice have all informed this collateral field of visual
production and supported the mass distribution of music with
defining imagery that swiftly and suggestively evokes an aural
encounter. Along the way, we find Jean-Michel Basquiat's urban
hieroglyphs for his own Tartown record label, Banksy's stenciled
graffiti for Blur, Damien Hirst's symbolic skull for the Hours, and
a skewered Salvador Dali butterfly on Jackie Gleason's Lonesome
Echo. There are insightful analyses and fact sheets alongside the
covers listing the artist, performer, album name, label, year of
release, and information on the original artwork. Interviews with
Tauba Auerbach, Shepard Fairey, Kim Gordon, Christian Marclay,
Albert Oehlen, and Raymond Pettibon add personal accounts on the
collaborative relationship between artists and musicians.
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