This book proposes new methodological tools and approaches in order
to tease out and elicit the different facets of urban fragmentation
through the medium of cinema and the moving image, as a
contribution to our understanding of cities and their topographies.
In doing so it makes a significant contribution to the literature
in the growing field of cartographic cinema and urban cinematics,
by charting the many trajectories and points of contact between
film and its topographical context. Under the influence of new
technologies, the opening and the availability of previously
unexplored archives but also the contribution of new scholars with
novel approaches in addition to new work by experienced academics,
Cinematic Urban Geographies demonstrates how we can reread the
cinematic past with a view to construct the urban present and
anticipate its future.
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