Until recently still a blank spot on the world map of art, China
today occupies one of the top positions in the rankings of the
global art market and has moved into the center of the speculations
and the covetousness of its protagonists. But what is really
happening on the spot, beyond the ethnocentric distortions of the
Western viewpoint? What social representations and uses of art can
be identified? A research team from the University of St. Gallen
has taken up such questions in an ethnographical field research
project which enables the actors in this emergent and nonetheless
already market-dominated art field to have their say.
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