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The Social Origins of Egyptian Expansionism during the Muhammad 'Ali Period (Hardcover, New)
Loot Price: R2,240
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The Social Origins of Egyptian Expansionism during the Muhammad 'Ali Period (Hardcover, New)
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Color has been a subject of heated debate for as long as anyone can
remember. Is it an innate part of material objects or a trick of
perception and light? Is it merely superficial and decorative, or
does it reveal deeper meaning? Is it the manifestation of divine
presence on Earth or evidence of Satan's cunning? This debate
captured the medieval imagination and influenced every aspect of
life in the Middle Ages -- an era that was truly obsessed with
color.Unlike the drab images popularized in films and television
programs, parades of vibrant color were on display at every level
of medieval European society. Not only did clothing sport gaudy and
often clashing colors, but food, statues, animals, and even hair
and beards flaunted the most brazen coloration. Yet not everyone
revered color; many believed it to be an ephemeral, worldly
deception and a symptom of immorality. As the Middle Ages drew to a
close, perceptions of color gradually became emblematic of broader
cultural issues. Black and blue -- which were primarily associated
with asceticism, sorrow, and humility -- became the colors of
choice for royalty and the urban aristocracy, while bright, flashy
colors came to be associated with the devil -- who, it was
believed, had painted the world in tempting hues to lure humanity
into sin and away from the path to eternal salvation. As a result,
every God-fearing person began to avoid colorful displays, choosing
instead more somber shades, a preference still seen today in the
blacks and dark blues of evening wear and business attire. Colors
Demonic and Divine ranges over painting, fashion, poetry, heraldry,
religion, and history to tell the story of medieval attitudes
toward color and the profound and pervasive influence they still
have on modern society.
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