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Cape Town, 2018. South Africa’s mother city is wracked by drought. The prospect of premier Helen Zille’s ‘Day Zero’ – the day when all taps run dry – is driving its citizens into a frenzy. When it’s announced that Mayor Patricia de Lille is off the water crisis, the predicament reaches its zenith and politicians turn upon each other.
And so begins a stupendous battle within the Democratic Alliance: who will lead Cape Town? It’s during this time that author and researcher Crispian Olver applies to the City of Cape Town to gain access to certain official documents as part of a research project. He is baffled when his application is rejected without explanation, but this only strengthens his resolve to explore how the city of his childhood is run. In particular, he has his sights set on the relationship between city politicians and property developers.
Olver interviews numerous individuals, including many ‘chopped’ from the city administration. What he uncovers is a pandora’s box of backstabbing, in-fighting and backroom deals. He explores dodgy property developments at Wescape and Maiden’s Cove, delves into attempts to ‘hijack’ civic associations, and exposes the close yet precautious relationship between the mayor and City Hall’s so-called ‘laptop boys’. But his main goal is to understand what led to the political meltdown within the Democratic Alliance, and the defection of De Lille to form her own party.
It’s easy to imagine that state capture began with Jacob Zuma and the Guptas. But you’d be wrong.
Born out of the ANC Women’s League 20 years ago, Bosasa has come to be described as the ANC’s ‘Heart of Darkness’. At its helm today is Gavin Watson, a struggle-rugby-player-turned-tenderpreneur who made it his business to splash out on gifts and cash to get up close and personal with the country’s top politicians and civil servants. In return, Bosasa won tenders to the tune of billions of rands and – with friends in high places – stayed clear of prosecution. Adriaan Basson has been investigating Bosasa since he was a rookie journalist 13 years ago. He has been sued, intimidated and threatened, but has stuck to the story like a bloodhound. Now, in the wake of the explosive findings of the Zondo commission, he has weaved the threads of Bosasa’s story together.
Blessed by Bosasa is a riveting in-depth investigation into an extraordinary story of high-level corruption and rampant pillage, of backdoor dealings and grandiose greed. Through substantial research and a number of interviews with key individuals, Basson unveils the shady, cult-like underbelly of the criminal company that held the Zuma government in the palm of its hand.
Perhaps the most explosive issue in South Africa today is the question of land ownership. The central theme in this country’s colonial history is the dispossession of indigenous African societies by white settlers, and current calls for land restitution are based on this loss. Yet popular knowledge of the actual process by which Africans were deprived of their land is remarkably sketchy.
This book recounts an important part of this history, describing how the Khoisan and Xhosa people were dispossessed and subjugated from the time that Europeans first arrived until the end of the Cape Frontier Wars (1779–1878).
The Land Wars traces the unfolding hostilities involving Dutch and British colonial authorities, trekboers and settlers, and the San, Khoikhoin, Xhosa, Mfengu and Thembu people – as well as conflicts within these groups. In the process it describes the loss of land by Africans to successive waves of white settlers as the colonial frontier inexorably advanced. The book does not shy away from controversial issues such as war atrocities on both sides, or the expedient decision of some of the indigenous peoples to fight alongside the colonisers rather than against them.
The Land Wars is an epic story, featuring well-known figures such as Ngqika, Lord Charles Somerset and his son, Henry, Andries Stockenstr÷m, Hintsa, Harry Smith, Sandile, Maqoma, Bartle Frere and Sarhili, and events such as the arrival of the 1820 Settlers and the Xhosa cattlekilling. It is essential reading for anyone who wants to understand South Africa’s past and present.
In 2016, the country watched as eight journalists stood up to the public broadcaster to dissent against the censorship imposed by COO Hlaudi Motsoeneng and the capture of the newsroom. They would become known as the SABC8. While many may remember the headlines, photos and footage that circulated during that time, few know the real story: the way lives were changed while history was being made.
Now, Foeta Krige, one of the SABC8, shares his version of events: how it came about that eight very different journalists from within the public broadcaster, each with their own unique background and motivation, were brought together by circumstance to fight the mighty SABC in the name of media freedom. This forms the backdrop for a lesser-known story – one of death threats, intimidation, assault and the eventual death of Suna Venter. Her death shocked the nation and baffled investigators. Was it a natural death caused by stress, or were there more sinister forces involved? To understand why her death was red-flagged, it is necessary to retrace her steps and how they converged with those of the seven other journalists.
Krige takes the reader back to the day when everything started, telling the gripping, and often harrowing, story behind the sensational headlines.
Jan Smuts, one of the most infamous South Africans of the twentieth century remains a controversial figure. Was he one of the outstanding statesmen of his time or was he perhaps a traitor of Afrikaner interests and possibly a racist? Today there are still strong opinions on Smuts’s role.
Like Paul Kruger at the end of the nineteenth century, and Nelson Mandela as the twentieth century drew to a close, it was Jan Smuts who stood head and shoulders above his contemporaries in the first half of the twentieth century; he was a leader of extraordinary stature and his statesmanship is recognised internationally. And yet, the NP and ANC governments have downplayed his contributions for decades, because it did not endorse their Afrikaner and black nationalist versions of South African history. A reappraisal of Smuts will fill a gap in the literature on the history of South Africa in the first half of the twentieth century. Many of the biographies and other works on Smuts appeared during his lifetime or soon after his death. Today, a few generations later, we have a better perspective on his contributions within the historical context of his time. New evidence continues to come to light, making it possible to reach a more informed opinion on questions about Smuts, issues which previously could not be answered conclusively.
The purpose of the book, written almost three generations after his death, is to recall and re-evaluate Smuts’s contributions in various fields and in this way introduce him to the younger generation. It is important that Smuts be judged in the context of his particular time and circumstances. As far as his outlook on war and peace, civilisation, race and class differences, the capitalist system and South Africa’s place in the wider world are concerned, Smuts was certainly a product of his time. It would be unfair to measure him and his contemporaries against today’s norms and values. To do justice to him, his supporters, as well as his opponents and critics, due consideration should be accorded to how they lived, thought and reasoned in that era.
In the 1990s, deep-cover police agent RS536 took on the Durban underworld as part of a new organised crime intelligence unit. He rubbed shoulders with drug lords, smugglers and corrupt cops, and was instrumental in busting an international drug ring and foiling a bank heist, among many other dangerous engagements.
But then, as the country’s new democracy birthed a struggle between the old and the new guard in the South African Police Service, his identity and his life came under threat. In this action-packed account, Johann van Loggerenberg describes how, as a young policeman, he worked closely with the investigative team of the Goldstone Commission to uncover the ‘third force’ – apartheid security forces that supplied weapons to the Inkatha Freedom Party to destabilise the country.
He also delves into how and why, at the height of state capture at the South African Revenue Service in 2014, he was falsely accused of being an apartheid spy, a lie that persists up to today. Here, finally, is the truth behind deep-cover police agent RS536.
As an award-winning photojournalist and part of the Bang-Bang Club, Greg Marinovich has covered war and conflict all over Africa and the world. In Shots From The Edge he recounts his experiences in these conflict zones, recalling interviews with the perpetrators and the victims of violence, from rebels, child soldiers and terrorists to peacekeepers, aid workers, rape survivors, orphans and amputees. The book takes the reader throughout South Africa, and to Angola, Mozambique, Somalia, Rwanda, Bosnia, Chechnya, Palestine and many other contested zones.
With compassion and care, Marinovich documents more than two decades’ worth of turbulent history and reveals the people involved in the conflict. Some of the moments are deeply moving and profound; others so surreal as to blur into insanity. From coming under fire with United Nations peacekeeping troops in the Lašva Valley and being escorted around Mogadishu by a crew of gunmen for hire, to running through the streets of Johannesburg as Inkatha and the ANC face off at Shell House, the reader is exposed to people, places and experiences that would otherwise be difficult to comprehend.
The accounts in Shots From The Edge are at once insightful, tragic, shocking and occasionally humorous, but above all they are a poignant reminder of the brutality and indignity of war, and man’s capacity for cruelty.
Hermann Giliomee, pre-eminent South African historian, dissects the forces that shaped the Afrikaners into an unusual ‘maverick African’ nation.
He analyses long-term forces like the powerful legal position of Afrikaner women, the expanding frontier, and the struggles about race inside the church, along with more recent political history.
Africa Reimagined is a passionately argued appeal for a rediscovery of our African identity. Going beyond the problems of a single country, Hlumelo Biko calls for a reorientation of values, on a continental scale, to suit the needs and priorities of Africans. Building on the premise that slavery, colonialism, imperialism and apartheid fundamentally unbalanced the values and indeed the very self-concept of Africans, he offers realistic steps to return to a more balanced Afro-centric identity.
Historically, African values were shaped by a sense of abundance, in material and mental terms, and by strong ties of community. The intrusion of religious, economic and legal systems imposed by conquerors, traders and missionaries upset this balance, and the African identity was subsumed by the values of the newcomers. Biko shows how a reimagining of Africa can restore the sense of abundance and possibility, and what a rebirth of the continent on Pan-African lines might look like. This is not about the churn of the news cycle or party politics – although he identifies the political party as one of the most pernicious legacies of colonialism. Instead, drawing on latest research, he offers a practical, pragmatic vision anchored in the here and now.
By looking beyond identities and values imposed from outside, and transcending the divisions and frontiers imposed under colonialism, it should be possible for Africans to develop fully their skills, values and ingenuity, to build institutions that reflect African values, and to create wealth for the benefit of the continent as a whole.
In 1937 a group of young Capetonians, socialist intellectuals from the Workers’ Party of South Africa and the Non-European Unity Movement, embarked on a remarkable public education and cultural project they called the New Era Fellowship (NEF). Through public debates, lectures, study circles and cultural events a new cultural and political project was born in Cape Town. Taking a position of non-collaboration and non-racialism, the NEF played a vital role in challenging society’s responses to events ranging from the problem of taking up arms during the Second World War for an empire intent on stripping people of colour of their human rights, to the Hertzog Bills, which foreshadowed apartheid in all its ruthless effectiveness.
The group included some of the city’s most talented scholar-activists, among them Isaac Tabata, Ben Kies, A C Jordan, Phyllis Ntantala, Mda Mda and members of the famed Gool and Abdurahman families. Their aim was to disrupt and challenge not only prevailing political narratives but the very premises – class and race – on which they were based.
By the 1950s their ideas had spread to a second generation of talented individuals who would disseminate them in the high schools of Cape Town. In time, some would exert their influence on national politics beyond the confines of the Cape. Among these were former minister of justice, Dullah Omar, academic Hosea Jaffe, educationist Neville Alexander and author Richard Rive.
This book is a testament to how the NEF was at the forefront of redefining the discourse of racialism and nationalism in South Africa.
When working on the UNESCO Slave Route project in the early 2000s, Botlhale Tema discovered the extraordinary fact that her highly educated family from the farm Welgeval in the Pilanesberg had originated with two young men who had been child slaves in the midnineteenth century. She pieced together the fragments of information from relatives and members of the community, and scoured the archives to produce this book.
Land Of My Ancestors, previously published as The People Of Welgeval, tells the story of the two young men and their descendants, as they build a life for themselves on Welgeval. As they raise their families and take in people who have been dispossessed, we follow the births, deaths, adventures and joys of the farm’s inhabitants in their struggle to build a new community.
Set against the backdrop of slavery, colonialism, the Anglo-Boer War and the rise of apartheid, this is a fascinating and insightful retelling of history. It is an inspiring story about friendship and family, landownership and learning, and about how people transform themselves from victims to victors.
A new prologue and epilogue give more historical context to the narrative and tell the story of the land claim involving the farm, which happened after the book’s original publication.
What does it take to deceive those closest to you? How do you lead a double life and not lose yourself? Is there ever a point of return? Jonathan Ancer explores these questions in the tales of SA’s spies: from the navy superspy on the Russian payroll to the party girl who fell in love with Cuba and the idealistic students used and abused in apartheid’s intelligence war.
Ancer gets under the skin of what it takes to betray those closest to you – and what it is means to be betrayed.
In this riveting undercover spy drama, Bradley Steyn tells the story of his journey from a boy caught in the middle of the Strijdom Square massacre, to acting out his PTSD working for the apartheid security branch. Finally he ends up being recruited by MK and used to infiltrate the crazed right-wing whose mission is to destabilise a South Africa on the brink of peace.
With these forces pushing the nation towards a bloody race war, will his time run out before they discover he is working for Mandela's spies?
This astonishing true-life thriller reveals for the first time some of the dirty secrets of a dirty war.
Forgiveness Redefined is Candice Mama’s honest and healing story. It tells how she found ways to deal with the death of her father, Glenack Masilo Mama, and to forgive the notorious apartheid assassin Eugene de Kock, the man responsible for his brutal murder. We follow Candice’s journey of discovering how her father died, how this affected her and how she battled the demons of depression before the age of sixteen. But most importantly, we follow her journey towards beating the odds and rising above her heartbreaks.
Candice Mama is today still under the age of 30, but has been named as one of Vogue Paris’ most inspiring women alongside glittering names such as Michelle Obama. She has taken backstage selfies with music crooner Seal and travels all over the world to talk about her journey. This bubbly, inspiring young author tells how she shed some of the worst layers of grief and became an inspiration for others. We learn about her perplexing, unconventional childhood, her search for identity, and the beautiful bond she formed, posthumously, with a father she never had the opportunity to get to know in person. She also tells, in her own words, about the life-changing encounter between her family and her father’s killer.
Candice tenderly opens up about the result of the trauma of her father’s death on her entire family, and meeting her mother for the first time at the age of four. She tells about the confusing, yet fascinating, dynamics that later unfolded as she discovered pieces of herself, rediscovered relationships with her own family and came to forgiveness and understanding.
This book serves as inspiration for other young – and older – people to look at their own stories through different lenses. Candice’s experiences are not unique, and she offers healing thoughts to others who suffered similar trauma by sharing the details of her own story. Forgiveness Redefined is a touching, personal story by a young woman who learned too early about pain, loss and rejection – but who also learned how to overcome those burdens and live joyfully.
The future of mining in South Africa is hotly contested. Wide-ranging views from multiple quarters rarely seem to intersect, placing emphasis on different questions without engaging in holistic debate.
This book aims to catalyse change by gathering together fragmented views into unifying conversations. It highlights the importance of debating the future of mining in South Africa and for reaching consensus in other countries across the mineral-dependent globe.
It covers issues such as the potential of platinum to spur industrialisation, land and dispossession on the platinum belt, the roles of the state and capital in mineral development, mining in the era of the Fourth Industrial Revolution, the experiences of women in and affected by mining since the late 19th century and mine worker organising: history and lessons and how post-mine rehabilitation can be tackled.
It was inspired not only by an appreciation of South Africa’s extensive mineral endowments, but also by a realisation that, while the South African mining industry performs relatively well on many technical indicators, its management of broader social issues leaves much to be desired. It needs to be deliberated whether the mining industry can play as critical a role going forward as it did in the evolution of the country’s economy.
If a mere seven more MPs had voted with Prime Minister JBM Hertzog in favour of neutrality, South Africa’s history would have been quite different.
Parliament’s narrow decision to go to war in 1939 led to a seismic upheaval throughout the 1940s: black people streamed in their thousands from rural areas to the cities in search of jobs; volunteers of all races answered the call to go ‘up north’ to fight; and opponents of the Smuts government actively hindered the war effort by attacking soldiers and committing acts of sabotage. World War Two upended South Africa’s politics, ruining attempts to forge white unity and galvanising opposition to segregation among African, Indian and coloured communities. It also sparked debates among nationalists, socialists, liberals and communists such as the country had never previously experienced.
As Richard Steyn recounts so compellingly in 7 Votes, the war’s unforeseen consequence was the boost it gave to nationalism, both Afrikaner and African, that went on to transform the country in the second half of the 20th century. The book brings to life an extraordinary cast of characters, including wartime leader Jan Smuts, DF Malan and his National Party colleagues, African nationalists from Anton Lembede and AB Xuma to Walter Sisulu and Nelson Mandela, the influential Indian activists Yusuf Dadoo and Monty Naicker, and many others.
How To Steal A Country describes the vertiginous decline in political leadership in South Africa from Mandela to Zuma and its terrible consequences. Robin Renwick’s account reads in parts like a novel – a crime novel – for Sherlock Holmes old adversary, Professor Moriarty, the erstwhile Napoleon of Crime, would have been impressed by the ingenuity, audacity and sheer scale of the looting of the public purse, let alone the impunity with which it has been accomplished.
Based on Renwick’s personal experiences of the main protagonists, it describes the extraordinary influence achieved by the Gupta family for those seeking to do business with state-owned enterprises in South Africa, and the massive amounts earned by Gupta related companies from their associations with them. The ensuing scandals have engulfed Bell Pottinger, KPMG, McKinsey and other multinationals. The primary responsibility for this looting of the state however, rests squarely with President Zuma and key members of his government. But South Africa has succeeded in establishing a genuinely non-racial society full of determined and enterprising people, offering genuine hope for the future. These include independent journalists, black and white, who refuse to be silenced, and the judges, who have acted with courage and independence.
The book concludes that change will come, either by the ruling party reverting to the values of Mandela and Archbishop Tutu, or by the reckoning it otherwise will face one day.
In Foreign Native, RW Johnson looks back with affection and humour on his life in Africa. From schooldays in Durban – fresh off the aeroplane from Merseyside – to later years as an academic, director of the Helen Suzman Foundation and formidable political commentator, he has produced an entertaining and occasionally eye-popping memoir brimming with history, anecdote and insight.
Johnson charts his evolution from enthusiastic, left-leaning Africanist to political realist, relating the episodes that influenced his intellectual worldview, including time spent among the exiled liberation movements in London during the 1960s, a sojourn in newly independent Guinea and more recent forays into Zimbabwe. There are wonderful stories, some hilarious, others filled with pathos, about the multitude of characters – Harold Strachan, Tom Sharpe, Ronnie Kasrils, Helen Suzman, Frederik van zyl Slabbert, among many others – that he met along the way.
Perceptive, critical and full of verve, Foreign Native is leavened with a deep humanity that makes it a pleasure to read.
In this riveting new book, John Laband, pre-eminent historian of the Zulu Kingdom, tackles some of the questions that swirl around the assassination in 1828 of King Shaka, the celebrated founder of the Zulu Kingdom and war leader of legendary brilliance: Why did prominent members of the royal house conspire to kill him? Just how significant a part did the white hunter-traders settled at Port Natal play in their royal patron's downfall? Why were Shaka's relations with the British Cape Colony key to his survival? And why did the powerful army he had created acquiesce so tamely in the usurpation of the throne by Dingane, his half-brother and assassin?
In his search for answers Laband turns to the Zulu voice heard through recorded oral testimony and praise-poems, and to the written accounts and reminiscences of the Port Natal trader-hunters and the despatches of Cape officials. In the course of probing and assessing this evidence the author vividly brings the early Zulu kingdom and its inhabitants to life. He throws light on this elusive character of and his own unpredictable intentions, while illuminating the fears and ambitions of those attempting to prosper and survive in his hazardous kingdom: a kingdom that nevertheless endured in all its essential characteristics, particularly militarily, until its destruction fifty one years later in 1879 by the British; and whose fate, legend has it, Shaka predicted with his dying breath.
Bronwyn Davids’ great-grandpa Joe built their family home in Lansdowne, Cape Town, during the 1920s. She recreates their lives in the pages of this book and takes us on a journey with her family against the backdrop of apartheid South Africa.á
A charming family story, but also of gut-wrenching loss that is physical, mental, and spiritual.
‘How can there be only one dedicated hospital in the country for our children?’
When Madiba asked this question, he sowed the seeds of a challenge that would grow into a legacy.
A seed may be small but its size is disproportionate to what it can become over time. The Nelson Mandela Children’s Hospital was a project that seemed impossible when it was just an idea that started with ten people seated around a dinner table. As they discussed the state of healthcare in the country and shared their experiences, they realised that it was the children of Southern Africa who were the most disadvantaged by the lack of dedicated paediatric facilities. At the end of the evening a statement by the late Dr Nthato Motlana took hold and became the catalyst for a remarkable journey: ‘I will speak to Nelson,’ he said.
With South Africa’s first democratically elected president Nelson Mandela’s backing, the board of the Children’s Fund was inspired to take up the challenge to address this vital need. After years of global research and advice from experts in numerous different fields a Trust was formed to oversee the project and, critically, to set about raising the one billion rand it would take to build, equip and staff a state-of-the-art children’s hospital.
The stories behind the planning for, fundraising and building of the Nelson Mandela Children’s Hospital are inspiring, personal, and sometimes heart-breaking. It was a long and arduous journey, beset with difficulties, but the dedicated team’s commitment and courage prevailed to create a living legacy that will truly impact the lives of children for generations to come.
Today, the Nelson Mandela Children’s Hospital in Johannesburg is a proud testimony to a uniquely African story which honours the memory of a great statesman and celebrates the children for whom he cared so deeply.
They Called Me Queer is a collection written by Africans who self-identify as lesbian, gay, bisexual, transgender, queer, intersex and asexual (LGBTQIA+).
Across the continent, and throughout the world, South Africa has become known for its tolerance towards us, the LGBTQIA+ community. However, even if being who we are is legal, we live in a devastatingly segregated and unequal society, where the combination of race, class, gender and sexual identities still heavily impacts every part of our lives. This collection of stories is a testimony to who we are. It is an assertion of our struggles, but also our triumphs, our joys.
These are our stories of acceptance and rejection, of young love and old lovers, of the agonising thrills of coming out and coming into ourselves, of our sex lives, of our families and communities.
Writing by Haji Mohamed Dawjee, Lwando Scott, Ling Sheperd, Maneo Mohale, Chase Rhys, Wanelisa Xaba, Jamil F Khan, Khanya Kemami, Janine Adams, Craig Lucas and others.
South Africa’s pre-eminent historian explains the spectacular rise – and probable demise – of the numerical minority that dominated 20th-century South Africa.
The Afrikaners are unique in the world in that they successfully mobilised ethnic entrepreneurship without state assistance, controlled the entire country, and then yielded power without military defeat. Award-winning author Hermann Giliomee takes a hard analytical look at this group’s dramatic ascent and possible disappearance as a nation in a series of well-argued thematic chapters. Topics range from ethnic entrepreneurship, the ‘coloured vote’ and ‘Bantu’ education to Nelson Mandela’s relationship with the last Afrikaner leaders.
It ends with a final chapter on the most likely future for this sometimes admired, often reviled group, which undoubtedly left the largest imprint on South African history in the 20th century.
‘The freezing loneliness made one wish for death,’ journalist Joyce Sikakane-Rankin said of solitary confinement. With seven other women, including Winnie Madikizela-Mandela, she was held for more than a year.
This is the story of these heroic women, theirárefusal to testify in the ‘Trial of Twenty-Two’ in 1969, theirábrutal detention and how they picked up their lives afterwards.á
Showcasing the work of more than 200 women writers of African descent, this major international collection celebrates their contributions to literature and international culture.
Twenty-five years ago, Margaret Busby’s groundbreaking anthology Daughters Of Africa illuminated the “silent, forgotten, underrated voices of black women” (Washington Post). Published to international acclaim, it was hailed as “an extraordinary body of achievement… a vital document of lost history” (Sunday Times). New Daughters Of Africa continues that mission for a new generation, bringing together a selection of overlooked artists of the past with fresh and vibrant voices that have emerged from across the globe in the past two decades, from Antigua to Zimbabwe with numerous South African contributors. Key figures join popular contemporaries in paying tribute to the heritage that unites them. Each of the pieces in this remarkable collection demonstrates an uplifting sense of sisterhood, honours the strong links that endure from generation to generation, and addresses the common obstacles women writers of colour face as they negotiate issues of race, gender and class, and confront vital matters of independence, freedom and oppression.
Custom, tradition, friendships, sisterhood, romance, sexuality, intersectional feminism, the politics of gender, race, and identity—all and more are explored in this glorious collection of work from over 200 writers. New Daughters Of Africa spans a wealth of genres—autobiography, memoir, oral history, letters, diaries, short stories, novels, poetry, drama, humour, politics, journalism, essays and speeches—to demonstrate the diversity and remarkable literary achievements of black women.
New Daughters Of Africa features a number of well-known South African contributors including Gabeba Baderoon, Nadia Davids, Diana Ferrus, Vangile Gantsho, Barbara Masekela, Lebogang Mashile and Sisonke Msimang.
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