Mahmud Modibbo Tukur's work challenges fundamental assumptions and conclusions about European colonialism in Africa, especially British colonialism in northern Nigeria. Whereas others have presented the thesis of a welcome reception of the imposition of British colonialism by the people, the study has found physical resistance and tremendous hostility towards that imposition; and, contrary to the "pacification" and minimal violence argued by some scholars, the study has exposed the violent and bloody nature of that occupation. Rather than the single story of "Indirect rule", or "abolishing slavery" and lifting the burden of precolonial taxation which others have argued, this book has shown that British officials were very much in evidence, imposed numerous and heavier taxes collected with great efficiency and ruthlessness, and ignored the health and welfare of the people in famines and health epidemics which ravaged parts of northern Nigeria during the period. British economic and social policies, such as blocking access to western education for the masses in most parts of northern Nigeria, did not bring about development but its antithesis of retrogression and stagnation during the period under study. Tukur's analysis of official colonial records and sources constitutes a significant contribution to the literature on colonialism in Africa and to understanding the complexity of the Nigerian situation today.

Schoeman het nie net elke teks in Afrikaans vertaal nie, maar voorsien dit ook van onontbeerlike voetnotas en insiggewende redakteursnotas waarin konteks, geskiedenis en betekenisverklarings gegee word. Schoeman het hom veral toegespits op tekste van plaaslike inwoners en boorlinge, eerder as die van besoekers of reisigers, en wys in sy voorwoord daarop dat hierdie bloemlesing dus die vroegste geskrewe letterkunde van Suid-Afrika bevat. Die tekste (telkens deur Schoeman in Afrikaans vertaal) gee 'n beeld van die Nederlandse koloniale tydperk in Suid-Afrika.

“A brilliant biography that will transform your understanding of this young, charismatic leader” — Joseph Nhini, BooksLive, Sunday Times

“Deeply thought-provoking” — Tyrone August, Cape Times

“Makes a good job of weaving together a number of strands that make the totality of the powerful persona Biko became ... Sheds new light on more than just Biko” — Sam Mkokeli, Business Day

Interest in the iconic Steve Biko has strongly revived, as the current generation of activists calls on his legacy and thoughts. Biko is cited and disputed particularly in the #RhodesMustFall and decolonisation movements. This comprehensive biography, shortlisted for the Alan Paton award, explores Biko's life, the people and ideas that shaped him, and his part in Black Consciousness and the struggle. Updated in an affordable new edition, Biko: A Biography presents a new generation with nuanced insights into the life and thought of a South African hero.

Die derde deel van die reeks Imperiale somer word aan Johannesburg in die onmiddellike nasleep van die Anglo-Boereoorlog gewy, waarby alle dele van die destydse gemeenskap aandag geniet, met inbegrip van die swart stadsinwoners en die ontwikkeling van ’n eie stadskultuur onder hulle en die mynwerkers.

Anekdotes en klein kameebeskrywings maak van Babilon ’n interessante leeservaring.

An essential overview of great kingdoms in African history and their legacies, written by world-leading experts. From the ancient Nile Valley to the savannas of medieval West Africa, the Great Lakes of East Africa and on to the forests and grasslands to the south, African civilizations have given rise to some of the world's most impressive kingdoms. Here, nine leading historians of Africa take a fresh look at these kingdoms over five thousand years of recorded history. How did royal power operate in Africa and how were kings - and queens - 'made'? Did they display their sacred royal power, as in the great public ceremonies of the West African kingdoms of Asante and Dahomey, or hide it away, as beneath the fringed, beaded crowns that concealed the faces of Yoruba kings? How have African peoples recorded, celebrated and critiqued royal authority and its legacies? While absolute monarchy in Africa - as elsewhere in the world - is on the wane in the modern era, 'traditional' kingship continues to exist within many of its present-day nations, preserving ancient cultural ideas about identity and power. Africa's history is often little known beyond the devastation wrought by the slave trade and European colonial rule. Presenting some of the most exciting recent developments in the understanding of states and societies in the deeper past, Great Kingdoms of Africa challenges the outdated notion of the continent as an indistinct realm of 'lost kingdoms'. It shows how kingdoms with deep roots continued to shape African history throughout the twentieth century and into the present day.

Mahmud Modibbo Tukur's work challenges fundamental assumptions and conclusions about European colonialism in Africa, especially British colonialism in northern Nigeria. Whereas others have presented the thesis of a welcome reception of the imposition of British colonialism by the people, the study has found physical resistance and tremendous hostility towards that imposition; and, contrary to the "pacification" and minimal violence argued by some scholars, the study has exposed the violent and bloody nature of that occupation. Rather than the single story of "Indirect rule", or "abolishing slavery" and lifting the burden of precolonial taxation which others have argued, this book has shown that British officials were very much in evidence, imposed numerous and heavier taxes collected with great efficiency and ruthlessness, and ignored the health and welfare of the people in famines and health epidemics which ravaged parts of northern Nigeria during the period. British economic and social policies, such as blocking access to western education for the masses in most parts of northern Nigeria, did not bring about development but its antithesis of retrogression and stagnation during the period under study. Tukur's analysis of official colonial records and sources constitutes a significant contribution to the literature on colonialism in Africa and to understanding the complexity of the Nigerian situation today.With an Introduction by Prof. Michael J. Watts, University of California, Berkeley, USA.

Die Herero-opstand 1904–1907 is ’n heruitgawe van ’n boek wat ses keer tussen 1976 en 1979 deur HAUM gepubliseer is. Die lotgevalle van die Hererovolk word in hierdie boek geskets, ’n stuk geskiedenis wat ’n sentrale plek in Namibie se kleurryke geskiedenis beklee. Die opstand van die Herero’s in 1904 teen Duitse koloniale gesag kan beskou word as die enkele gebeurtenis wat die gebied se volksverhoudinge die ingrypendste verander het. Die Herero-opstand 1904–1907 vertel van die geleidelike opbou na die konflik, die skielike uitbarsting van geweld en die tragiese afloop vir die Herero’s toe duisende verhonger het en hulle grond en politieke seggenskap verloor het.

This book is more than family history. It will open your eyes to how the British subjugated their colonies and Christian missions were used to promote British trade. It also deals with the fallouts from the clash between Christianity and local (Igbo) customs. It derives from the handwritten personal account of one of the early Nigerian Christian missionaries and explains some of these and more. Feed your curiosity!

Cape Town, 2018. South Africa’s mother city is wracked by drought. The prospect of premier Helen Zille’s ‘Day Zero’ – the day when all taps run dry – is driving its citizens into a frenzy. When it’s announced that Mayor Patricia de Lille is off the water crisis, the predicament reaches its zenith and politicians turn upon each other.

And so begins a stupendous battle within the Democratic Alliance: who will lead Cape Town? It’s during this time that author and researcher Crispian Olver applies to the City of Cape Town to gain access to certain official documents as part of a research project. He is baffled when his application is rejected without explanation, but this only strengthens his resolve to explore how the city of his childhood is run. In particular, he has his sights set on the relationship between city politicians and property developers.

Olver interviews numerous individuals, including many ‘chopped’ from the city administration. What he uncovers is a pandora’s box of backstabbing, in-fighting and backroom deals. He explores dodgy property developments at Wescape and Maiden’s Cove, delves into attempts to ‘hijack’ civic associations, and exposes the close yet precautious relationship between the mayor and City Hall’s so-called ‘laptop boys’. But his main goal is to understand what led to the political meltdown within the Democratic Alliance, and the defection of De Lille to form her own party.

Between the late 1880s and the onset of the Second World War, anti-slavery activism experienced a revival in Europe. Anti-slavery organizations in Britain, Italy, France, and Switzerland forged an informal international network to fight the continued existence of slavery and slave trading in Africa. Humanitarian Imperialism explores the scope and outreach of these antislavery groups along with their organisational efforts and campaigning strategies. The account focuses on the interwar years, when slavery in Africa became a focal point of humanitarian and imperial interest, linking Catholic and Protestant philanthropists, missionaries of different faiths, colonial officials, diplomats, and political leaders in Africa and Europe. At the centre of the narrative is the campaign against slavery in Ethiopia, an issue which served as a catalyst for the articulation of international humanitarian standards within the League of Nations in Geneva. By looking at the interplay between British and Italian advocates of abolition, Humanitarian Imperialism shows how in the 1930s anti-slavery campaigning evolved in close association with Fascist imperialism. Thus, during the Italo-Ethiopian war of 1935, the anti-slavery argument became a propaganda tool to placate public opinion in Britain and elsewhere. Because of its global echoes, however, the conflict also generated worldwide protest that undermined the beliefs and certainties of anti-slavery campaigners, resulting in a crisis of humanitarian imperialism. By following the story of anti-slavery activism into the post-1945 period, this volume illuminates the continuities and discontinuities in the international history of humanitarian organizations as well as the history of imperial humanitarianism.

Do Not Disturb is a dramatic recasting of the modern history of Africa’s Great Lakes region, an area blighted by the greatest genocide of the twentieth century. This bold retelling, vividly sourced by direct testimony from key participants, tears up the traditional script.

In the old version, an idealistic group of young rebels overthrows a genocidal regime in Kigali, ushering in an era of peace and stability that makes Rwanda the donor darling of the West, winning comparisons with Switzerland and Singapore. The new version examines afresh questions which dog the recent past: Why do so many ex-rebels scoff at official explanations of who fired the missile that killed the presidents of Rwanda and Burundi? Why didn’t the mass killings end when the rebels took control? Why did those same rebels, victory secured, turn so ruthlessly on one another?

Michela Wrong uses the story of Patrick Karegeya, once Rwanda’s head of external intelligence and a quicksilver operator of supple charm, to paint the portrait of a modern African dictatorship created in the chilling likeness of Paul Kagame, the president who sanctioned his former friend’s murder.

The Truth and Reconciliation Commission was established to investigate more than 30 years of human rights violations under apartheid. Jillian Edelstein returned to her native South Africa to photograph the work of this committee and was present at some of the most important hearings, such as that of Winnie Mandela. Portraits are combined with accounts of the treatment suffered under the former system. The project lasted for the duration of four years and involved photographing the victims and perpetrators of crimes committed under apartheid. A record of the atrocities committed and the fight to win justice.

Van al die gebeure in die Kaapkolonie gedurende die Tweede Vryheidsoorlog het die teregstelling van Hans Lötter, asook dié van kmdt. Gideon Scheepers, die meeste emosie onder Afrikaners ontketen. Lötter en sy mederebelle in die Kolonie het die verbeelding van die plaaslike bevolking aangegryp en die Britte maande lank hoofbrekens besorg. Sy gevangeneming, verhoor en teregstelling deur ’n Britse vuurpeloton op Middelburg, Kaap, het groot woede en verontwaardiging veroorsaak en hom verewig as Boeremartelaar in die Afrikaner-volksoorleweringe. Nou word sy boeiende verhaal vir die eerste keer volledig vertel.

Nelson Mandela's comrade in the struggle, Denis Goldberg, spent 22 years in an Apartheid South African political prison from 1963 to 1985. In this memoir, Denis, the perennial optimist, writes about the human side of the often painful road to freedom; about the joy of love and death, human dignity, political passion, comradeship, conflict between comrades...and a very long imprisonment. These memoirs offer the reader an insight into an important chapter in the history of our struggle from a different viewpoint because the racist dogmas of apartheid dictated that he would be incarcerated apart from his Black comrades and colleagues. That segregation denied him both the companionship and the counsel of his fellow accused. His was consequently an exceedingly lonely sojourn. But, true to himself and the cause he had espoused from his youth, he bore it with courage and immense dignity.

West African Warfare in Bahia and Cuba seeks to explain how a series of historical events that occurred in West Africa from the mid-1790s - including Afonja's rebellion, the Owu wars, the Fulani-led jihad, and the migrations to Egbaland - had an impact upon life in cities and plantations in western Cuba and Bahia. Manuel Barcia examines the extent to which a series of African-led plots and armed movements that took place in western Cuba and Bahia between 1807 and 1844 were the result - or a continuation - of events that had occurred in and around the Yoruba and Hausa kingdoms in the same period. Why did these two geographical areas serve as the theatre for the uprising of the Nagos, the Lucumis, and other West African men and women? The answer, Barcia argues, relates to the fact that plantation economies supported by unusually large numbers of African-born slaves from the same - or close - geographical and ethnic heritage, transformed the rural and urban landscape in western Cuba and Bahia. To understand why these two areas followed such similar social patterns it is essential to look across the Atlantic - it is not enough to repeat the significance of the African background of Bahian and Cuban slaves. By establishing connections between people and events, with a special emphasis on their warfare experiences, Barcia presents a coherent narrative which spans more than three decades and opens a wealth of archival research for future study.

In the 1990s, deep-cover police agent RS536 took on the Durban underworld as part of a new organised crime intelligence unit. He rubbed shoulders with drug lords, smugglers and corrupt cops, and was instrumental in busting an international drug ring and foiling a bank heist, among many other dangerous engagements.

But then, as the country’s new democracy birthed a struggle between the old and the new guard in the South African Police Service, his identity and his life came under threat. In this action-packed account, Johann van Loggerenberg describes how, as a young policeman, he worked closely with the investigative team of the Goldstone Commission to uncover the ‘third force’ – apartheid security forces that supplied weapons to the Inkatha Freedom Party to destabilise the country.

He also delves into how and why, at the height of state capture at the South African Revenue Service in 2014, he was falsely accused of being an apartheid spy, a lie that persists up to today. Here, finally, is the truth behind deep-cover police agent RS536.

The Innocence of Roast Chicken focuses on an Afrikaans/English family in the Eastern Cape and their idyllic life on their grandparents’ farm, seen through the eyes of the little girl, Kate, and the subtle web of relationships that is shattered by a horrifying incident in the mid-1960s.

Scenes from Kate’s early life are juxtaposed with Johannesburg in 1989 when Kate, now married to Joe, a human rights lawyer, stands aside from the general euphoria that is gripping the nation. Her despair, both with her marriage and with the national situation, resolutely returns to a brutal incident one Christmas day when Kate was thrust into an awareness of what lay beneath her blissful childhood.

Beautifully constructed, The Innocence of Roast Chicken is painful, evocative, beautifully drawn and utterly absorbing.

Africa Reimagined is a passionately argued appeal for a rediscovery of our African identity. Going beyond the problems of a single country, Hlumelo Biko calls for a reorientation of values, on a continental scale, to suit the needs and priorities of Africans. Building on the premise that slavery, colonialism, imperialism and apartheid fundamentally unbalanced the values and indeed the very self-concept of Africans, he offers realistic steps to return to a more balanced Afro-centric identity.

Historically, African values were shaped by a sense of abundance, in material and mental terms, and by strong ties of community. The intrusion of religious, economic and legal systems imposed by conquerors, traders and missionaries upset this balance, and the African identity was subsumed by the values of the newcomers. Biko shows how a reimagining of Africa can restore the sense of abundance and possibility, and what a rebirth of the continent on Pan-African lines might look like. This is not about the churn of the news cycle or party politics – although he identifies the political party as one of the most pernicious legacies of colonialism. Instead, drawing on latest research, he offers a practical, pragmatic vision anchored in the here and now.

By looking beyond identities and values imposed from outside, and transcending the divisions and frontiers imposed under colonialism, it should be possible for Africans to develop fully their skills, values and ingenuity, to build institutions that reflect African values, and to create wealth for the benefit of the continent as a whole.

The ruins of Great Zimbabwe are acknowledged as one of the most impressive monuments in Africa, but also one of the most mysterious. Many scholars have investigated them without coming to any agreement on the identify of their builders, their purpose or even their date. The author considers the ruins in both an African and a global context, and reviews investigations of other archaeological and historical enigmas around the world. He finds previously unsuspected connections between Zimbabwe and ancient civilisations such as the Phoenicians and the builders of the Giza pyramids. Finally he offers a truly 'heavenly' explanation for Great Zimbabwe.

Showcasing the work of more than 200 women writers of African descent, this major international collection celebrates their contributions to literature and international culture.

Twenty-five years ago, Margaret Busby’s groundbreaking anthology Daughters Of Africa illuminated the “silent, forgotten, underrated voices of black women” (Washington Post). Published to international acclaim, it was hailed as “an extraordinary body of achievement… a vital document of lost history” (Sunday Times). New Daughters Of Africa continues that mission for a new generation, bringing together a selection of overlooked artists of the past with fresh and vibrant voices that have emerged from across the globe in the past two decades, from Antigua to Zimbabwe with numerous South African contributors. Key figures join popular contemporaries in paying tribute to the heritage that unites them. Each of the pieces in this remarkable collection demonstrates an uplifting sense of sisterhood, honours the strong links that endure from generation to generation, and addresses the common obstacles women writers of colour face as they negotiate issues of race, gender and class, and confront vital matters of independence, freedom and oppression.

Custom, tradition, friendships, sisterhood, romance, sexuality, intersectional feminism, the politics of gender, race, and identity—all and more are explored in this glorious collection of work from over 200 writers. New Daughters Of Africa spans a wealth of genres—autobiography, memoir, oral history, letters, diaries, short stories, novels, poetry, drama, humour, politics, journalism, essays and speeches—to demonstrate the diversity and remarkable literary achievements of black women.

New Daughters Of Africa features a number of well-known South African contributors including Gabeba Baderoon, Nadia Davids, Diana Ferrus, Vangile Gantsho, Barbara Masekela, Lebogang Mashile and Sisonke Msimang.