'Extraordinary and thrilling ... This story should be known to every man, woman and child' - Lemn Sissay In 1868, British troops charged into the mountain empire of Ethiopia, stormed the citadel of its monarch Tewodros II and grabbed piles of his treasures and sacred manuscripts. They also took his son - six-year-old Prince Alamayu - and brought the boy back with them to the cold shores of England. For the first time, Andrew Heavens tells the whole story of Alamayu, from his early days in his father's fortress on the roof of Africa to his new home across the seas, where he charmed Queen Victoria, chatted with Lord Tennyson and travelled with his towering red-headed guardian Captain Speedy. The orphan prince was celebrated but stereotyped and never allowed to go home. The book also follows the loot - Ethiopia's 'Elgin Marbles' - and tracks it down to its current hiding places in bank vaults, museum store cupboards and a boarded-up cavity in Westminster Abbey. A story of adventure, trauma and tragedy, The Prince and the Plunder is also a tale for our times, as we re-examine Britain's past, pull down statues of imperial grandees and look for other figures to commemorate and celebrate in their place.

BM Mdletshe’s fascinating history begins with the growth of his ancestor, Ngomane in the eMdletsheni tribe, under the great Mthethwa dynasty and continued with the honour he had of taking care of Nandi and young Shaka of Senzangakhona in 1787. More than 200 years later, BM Mdletshe was born in KwaCeza (in 1955), and in 2001, he was officially appointed as King Goodwill Zwelithini’s praise singer.

From generation to generation, son to son, this oral history was passed on from Ngomane to Mfusi Mdletshe (his son), to Msushwana Mdletshe (his son), to Calenkomo Mavukefile Mdletshe (his son), to Kudlakudelwa Sombila Mdletshe (his son), and finally to Buzetsheni Mkhohlliseni (BM) Mdletshe (his son) who continues to serve the Zulu Kingdom to this day.

His strong interest in the history of the Zulu nation and culture is the one that passionately led him to become a cultural expert and discover his praise singing talent. Mdletshe has received numerous awards for his tremendous praise songs and rich Zulu cultural knowledge which position him as one of the finest cultural experts in KwaZulu-Natal.

In the period between the outbreak of World War II in 1939 and the enactment of university apartheid by the Nationalist Government in 1959, the University of the Witwatersrand, Johannesburg (Wits) developed as an ‘open university’, admitting students of all races. This, the second volume of the history of Wits by historian Bruce Murray, has as its central theme the process by which Wits became ‘open’, the compromises this process entailed, and the defence the University mounted to preserve its ‘open’ status in the face of the challenges posed by the Nationalist Government.

The University’s institutional autonomy is highlighted by Yunus Ballim in his preface to the centenary edition of WITS: The ‘Open’ Years. He writes: ‘The emerging posture of a university willing to rise in defence of academic freedom was important because this was to become infused into the institutional culture of Wits.’

The book looks at the University’s role in South Africa’s war effort, its contribution to the education of ex-volunteers after the war, its leading role in training job-seeking professionals required by a rapidly expanding economy, and the rise of research and postgraduate study. Students feature prominently through their political activities, the flourishing of a student intelligentsia, the heyday of the Remember and Give (Rag) parade, rugby intervarsity, and the stunning success of Wits sportsmen and women. Wits: The ‘Open’ Years paints a vivid picture of the range of personalities who enlivened the campus – among them some well-known figures in the new South Africa.

The book includes chapters by Alf Stadler, who was Professor of Political Studies at Wits and the author of The Political Economy of Modern South Africa, and Jonty Winch, former Sports Officer at Wits and the author of Wits Sport.

The "enlightening" (The Guardian) true story of the last ship to carry enslaved people to America, the remarkable town its survivors' founded after emancipation, and the complicated legacy their descendants carry with them to this day-by the journalist who discovered the ship's remains. Fifty years after the Atlantic slave trade was outlawed, the Clotilda became the last ship in history to bring enslaved Africans to the United States. The ship was scuttled and burned on arrival to hide the wealthy perpetrators to escape prosecution. Despite numerous efforts to find the sunken wreck, Clotilda remained hidden for the next 160 years. But in 2019, journalist Ben Raines made international news when he successfully concluded his obsessive quest through the swamps of Alabama to uncover one of our nation's most important historical artifacts. Traveling from Alabama to the ancient African kingdom of Dahomey in modern-day Benin, Raines recounts the ship's perilous journey, the story of its rediscovery, and its complex legacy. Against all odds, Africatown, the Alabama community founded by the captives of the Clotilda, prospered in the Jim Crow South. Zora Neale Hurston visited in 1927 to interview Cudjo Lewis, telling the story of his enslavement in the New York Times bestseller Barracoon. And yet the haunting memory of bondage has been passed on through generations. Clotilda is a ghost haunting three communities-the descendants of those transported into slavery, the descendants of their fellow Africans who sold them, and the descendants of their fellow American enslavers. This connection binds these groups together to this day. At the turn of the century, descendants of the captain who financed the Clotilda's journey lived nearby-where, as significant players in the local real estate market, they disenfranchised and impoverished residents of Africatown. From these parallel stories emerges a profound depiction of America as it struggles to grapple with the traumatic past of slavery and the ways in which racial oppression continues to this day. And yet, at its heart, The Last Slave Ship remains optimistic-an epic tale of one community's triumphs over great adversity and a celebration of the power of human curiosity to uncover the truth about our past and heal its wounds.

Written by two senior scholars, A History of Africa introduces students to the history of the world's second largest continent. While it is not possible to discuss every event that ever happened in African history, the book comprises an historical narrative emphasizing key trends and processes illustrated by detailed examples. It represents a chronological and empirical history based on scholarly research and reconstructions of Africa's past. As a continental history, it seeks to cover all regions of Africa including North Africa, a region often seen as culturally and historically distinct. Furthermore, the narrative summarizes changing views and academic debates concerning aspects of African history. Richly illustrated with numerous maps and photographs, A History of Africa is the most comprehensive story of the place all humans call home. A History of Africa is available in a combined print or eBook volume, or in split eBook volumes (Volume One: to 1880 and Volume Two: since 1870).

Photography and History in Colonial Southern Africa is a rich and in-depth study of the relationship between photography and colonial history at the turn of the 20th century. Lorena Rizzo highlights the ways in which photographic images cut across conventional institutional boundaries and complicates rigid distinctions between the private and the public, the political and the aesthetic, the colonial and the vernacular, and the subject and the object.

Rizzo argues that rather than understanding photographs primarily as a means of preserving and recreating the past in the present, we can also value them for how they evoke at once the need for and the limits of historical reconstruction.

The work is rich in detail. Readers will encounter photographs that range from prison albums from late 19th century Cape Town; police photographs from German Southwest Africa (Namibia) in the early 20th century; studio portraits commissioned by African women and men who applied for identity documents, travel permits and passports in the 1920s and 1930s; South African dompas photographs from the 1950s and 1960s; to African women collections assembled in the locations of Windhoek and Usakos in central Namibia, and aerial photography in the Eastern Cape in the mid-20th century.

It is an important contribution to the area of photography and history. It will enhance further study into constructions of whiteness and blackness and the different modes in which the imperial project operated across borders.

Fully updated, and coming up to the present day, with new material encompassing current concerns, such as African opposition to apartheid, international anti-apartheid activities and recent events, such as the election of Cyril Ramaphosa as President of the ANC, which have led to deeper consideration of the differing ideological approaches reflected in the history, the volume gives students, with no prior background in South African history, a full historical grounding for the current situation in South Africa and its position in the world. African history, particularly global South African history encompassing as it does a site of historical racial tension, is popular in universities around the world, and with anniversaries approaching, such as the 25th anniversary of the democratic transition, and the 60th anniversary of the Sharpeville Massacre, this will only increase. Even in its fourth edition it remains the only student-friendly text that focuses on the history of apartheid, as one of the most defining periods in modern history, as distinct from trying to provide a full account of the entirety of South African history.

'A letter is handed to you. In broken English, it tells you that you must now vacate your farm; that this is no longer your home, for it now belongs to the crowd on your doorstep. Then the drums begin to beat.' As the land invasions gather pace, the Retzlaffs begin an epic journey across Zimbabwe, facing eviction after eviction, trying to save the group of animals with whom they feel a deep and enduring bond - the horses. When their neighbours flee to New Zealand, the Retzlaffs promise to look after their horses, and making similar promises to other farmers along their journey, not knowing whether they will be able to feed or save them, they amass an astonishing herd of over 300 animals. But the final journey to freedom will be arduous, and they can take only 104 horses. Each with a different personality and story, it is not just the family who rescue the horses, but the horses who rescue the family. Grey, the silver gelding: the leader. Brutus, the untamed colt. Princess, the temperamental mare. One Hundred and Four Horses is the story of an idyllic existence that falls apart at the seams, and a story of incredible bonds - a love of the land, the strength of a family, and of the connection between man and the most majestic of animals, the horse.

“You will now be tried in this fifth heaven for five crimes committed in the Herebefore. First, mass murder; second, racism; third, grand theft of Africa’s natural resources and land; fourth, exploitation and enslavement of African workers; and fifth, egotism and a vainglorious quest for immortality.”

Set over five days in an African Hereafter called “After Africa”, this story revolves around the British South African imperialist, Cecil Rhodes, awakening in an After African Limbo after being asleep for 120 years. Guided by Ghanaian writer Efua Sutherland, he is taken on a tour of After Africa’s five heavens, experiencing Africa’s great civilisations, its Nobel laureates, its writers, its musicians and its sporting legends. The novella centres on the grand trial of Cecil Rhodes in the fifth heaven for five crimes committed in the Herebefore.

Two Counsel for Damnation – Olive Schreiner and Stanlake Samkange – face off against two Counsel for Salvation – Nelson Mandela and Harry Oppenheimer. The seven judges from Africa’s five sub-regions and its North American, Caribbean and South American diasporasare also well-known figures: Ruth First, Wangari Maathai, Boutros Boutros-Ghali, Patrice Lumumba, Taslim Elias, Maya Angelou and Toussaint l’Ouverture.

A bold and innovative social history, The Seed Is Mine concerns the disenfranchised blacks who did so much to shape the destiny of South Africa. After years of interviews with Kas Maine and his neighbors, employers, friends, and family - a rare triumph of collaborative courage and dedication - Charles van Onselen has recreated the entire life of a man who struggled to maintain his family in a world dedicated to enriching whites and impoverishing blacks, while South Africa was tearing them apart.

“If ever one wondered whether the life of a single man could illuminate a century, [this] brilliant biography … proves the point.” — Carmel Schrire, The Boston Globe

“An epic … [that] tells of the loss of human potential generated by a politics that surrendered generosity and openness to self-interest and bigotry. It reveals the way an ordinary man can survive with dignity in such a world.” — Vincent Crapanzano, the New York Times

“A magnificent book [with] implications beyond its modest claims … This remarkable story compels foreboding but also kindles hope, for it shows the extraordinary courage of 'ordinary' men under severe difficulties.” — Eugene Genovese, Emory University

“[Van Onselen] teases out the subtleties of the paternalistic relationships between rural whites and blacks which gave rise to real friendships but also to much betrayal, anger, and humiliation . . . It is a monumental masterpiece of research, and a poetic evocation of the human spirit to survive … ” — Linda Ensor, Business Day

What makes Pat Simmons, a retired engineer, give up his comfortable middle class living and wade across a crocodile infested river with a bicycle strapped to his back, in order to teach chess to schoolchildren at the Mission station?

Steve Biko, the founder of the Black Consciousness philosophy, was killed in prison on 12 September 1977. Biko was only thirty years old, but his ideas and political activities changed the course of South African history and helped hasten the end of apartheid. The year 2007 saw the thirtieth anniversary of Biko's death. To mark the occasion, the then Minister of Science and Technology, Dr Mosibudi Mangena, commissioned Chris van Wyk to compile an anthology of essays as a tribute to the great South African son. Among the contributors are Minister Mangena himself, ex-President Thabo Mbeki, writer Darryl Accone, journalists Lizeka Mda and Bokwe Mafuna, academics Jonathan Jansen, Mandla Seleoane and Saths Cooper, a friend of Biko's and former president of Azapo. We Write What We Like proudly echoes the title of Biko's seminal work, I Write What I Like. It is a gift to a new generation which enjoys freedom, from one that was there when this freedom was being fought for. And it celebrates the man whose legacy is the freedom to think and say and write what we like.

Wits: The Early Years is a history of the University up to 1939.

First established in 1922, the University of the Witwatersrand, Johannesburg developed out of the South African School of Mines in Kimberley circa 1896. Examining the historical foundations, the struggle to establish a university in Johannesburg, and the progress of the University in the two decades prior to World War II, historian Bruce Murray captures the quality and texture of life in the early years of Wits University and the personalities who enlivened it and contributed to its growth.

Particular attention is given to the wider issues and the challenges which faced Wits in its formative years. The book examines the role Wits came to occupy as a major centre of liberal thought and criticism in South Africa, its contribution to the development of the professions of the country, the relationship of its research to the wider society, and its attempts to grapple with a range of peculiarly South African problems, such as the admission of black students to the University and the relations of English- and Afrikaans speaking white students within it.

At the heart of Africa is Congo, a country the size of Western Europe, bordering nine other nations, that since 1996 has been wracked by a brutal and unstaunchable war in which millions have died. And yet, despite its epic proportions, it has received little sustained media attention.

In this deeply reported book, Jason Stearns vividly tells the story of this misunderstood conflict through the experiences of those who engineered and perpetrated it. He depicts village pastors who survived massacres, the child soldier assassin of President Kabila, a female Hutu activist who relives the hunting and methodical extermination of fellow refugees, and key architects of the war that became as great a disaster as--and was a direct consequence of--the genocide in neighboring Rwanda. Through their stories, he tries to understand why such mass violence made sense, and why stability has been so elusive.

Through their voices, and an astonishing wealth of knowledge and research, Stearns chronicles the political, social, and moral decay of the Congolese State.

Why does the zebra have stripes and the elephant a long trunk? How did the giraffe acquire a long neck and why does a hippopotamus lie in muddy water all day? How does an acacia tree kill grazing wild. Do wild animals speak to each other and do they have feelings? In The Greatest Safari, the reader is taken on an African adventure and told stories about the feelings, senses and communication of the savannah's many inhabitants. From sausage trees, cycads, termites and ants to lions, hyenas, bats and gorillas. This book deals with the mechanisms that propelled life. We humans have acquired the facility of feeling we are something special, and thus also the feeling that we constitute an evolutionary zenith. In contradiction to this, nature is indifferent and within its boundaries there is only one criterion for success, namely survival. What the brain can produce in terms of poetry and nuclear physics is beneath notice compared with the ability to survive. If we accept the prehistoric people Homo habilis and Homo erectus as the first human beings on Earth, bacteria are still thousands of times older and are currently the most successful organism.

"This is the story of war and conservation, a drama enacted in a theatre in the southwestern corner of Africa. Author Jan Breytenbach, a legend in military circles, and the founder of South African special forces ? the Recces ? describes how he discovered that Military Intelligence was involved in illegal wildlife trade with Jonas Savimbi. To his horror and astonishment, senior officers were also using the MI created ivory-smuggling routes for their own corrupt ends. A must-read on a little known topic of the South African Border War, Angolan Civil War, and the de facto genocide of southern Africa's Big Five, particularly the elephant.

A set of all three volumes in the Bailie's Party series.

- The Old World: 1757-1819
- The New Land: 1820-1834
- The Frontiers: 1834-1852

When President Habyarimana's jet was shot down in April 1994, Rwanda erupted into a hundred-day orgy of killing - which left up to a million dead. The world's media showed the shocking pictures, and then largely moved on. Fergal Keane travelled through the country as the genocide was continuing, and his powerful account reveals the terrible truths behind the headlines.

He takes us to the scene of the appalling massacre at Nyarubuye, to the camp in Tanzania where the chief perpetrator lives like a prince, to the orphanages and Red Cross hospital, through territory controlled by Hutu extremists, and behind the siege lines, as Kigali is about to fall. Yet his searing descriptions are matched by trenchant political and historical analysis. This book offers a few brief glimpses of hope - of individual decency and heroism - but is essentially the story of an encounter with evil. It offers an unforgettable portrait of one of the century's greatest man-made catastrophes.

This book tells the story of the ANC Youth League from its origins in the 1940s to the controversies of the Malema era. It analyses the ideology and tactics of its founders, some of whom (notably Mandela and Tambo) later became iconic figures in South African history. It also shows how the early Youth League gave birth not only to the modern ANC but also to its rival, the Pan Africanist Congress. Dormant for many years, the Youth League re-emerged in the transition era under the leadership of Peter Mokaba - infused with the tradition of the militant youth politics of the 1980s. Throughout its history the Youth League has tried to 'dynamise' and criticise the ANC from within, while remaining devoted to, and dependent on, the mother body. This book argues that in all this time the Youth League has struggled to find a balance between loyalty and rebellion.

The Needs of Others is set in the UN in 1994, where diplomats learn of violence in Rwanda. Representing UN ambassadors, human rights organisations, journalists and public opinion leaders, students wrestle with difficult questions based on an unsteady trickle of information: Should the UN peacekeeping mission be withdrawn or strengthened? Is the fighting in Rwanda a civil war or something else? Does the UN have an obligation to intervene?

The world wanted South Africa’s true, liberated history – and the writing of it – to begin in 1994, but deep contradictions have quickly bubbled to the surface, revealing a society gripped in turmoil.

The results of all this have been, of course, paradoxical: a series of elections since 1994 seemed to confirm the ANC’s hold, both popular and legitimate, on power. Yet, simultaneously, South Africa has found itself with one of the world’s highest rates of protest and dissent, expressed both in the work-place and on township streets, in universities and technicons, clinics and central city squares. 16 August 2014 saw the lives of nearly three dozen platinum mineworkers end prematurely and violently. The premeditated “Marikana Massacre” demonstrated to the world how little Nelson Mandela’s ANC had changed South Africa’s core power relations, notwithstanding the dramatic, heroic victory over racist rule in 1994.

South Africa: The Present as History traces South African history from early days through the long European conquest and into two decades of democracy. The current socio-economic paradox – one that finds inequality, unemployment and poverty worsening since 1994 – reflect Mandela’s early 1990s concessions, choices which reduced the pursuit of genuine socio-economic and political transformation to the mere realisation of what can best be termed ‘low-intensity democracy’.

Analysing tensions exemplified by Marikana, the authors consider potential futures for an increasingly volatile society. Genuine liberatory possibilities could continue to be vanquished – but that is not the only possible results of today’s turmoil.