Without much fanfare Ahmed Kathrada worked alongside Nelson Mandela, Walter Sisulu and other giants in the struggle to end racial discrimination in South Africa. He faced house arrest and many court trials related to his activism until, finally, a trial for sabotage saw him sentenced to life imprisonment alongside Mandela and six others.

Conversations with a Gentle Soul has its origins in a series of discussions between Kathrada and Sahm Venter about his opinions, encounters and experiences. Throughout his life, Kathrada has refused to hang on to negative emotions such as hatred and bitterness. Instead, he radiates contentment and the openness of a man at peace with himself. His wisdom is packaged within layers of optimism, mischievousness and humour, and he provides insights that are of value to all South Africans.

It was in 1972 when the seemingly ordinary Craig Williamson registered at Wits University and joined the National Union of South African Students (NUSAS). Williamson was elected NUSAS’s vice president and in January 1977, when his career in student politics came to an abrupt end, he fled the country and from Europe continued his anti-apartheid ‘work’. But Williamson was not the activist his friends and comrades thought he was. In January 1980, Captain Williamson was unmasked as a South African spy.

Williamson returned to South Africa and during the turbulent 1980s worked for the foreign section of the South African Police’s notorious Security Branch and South Africa’s ‘super-spy’ transformed into a parcel-bomb assassin.

Through a series of interviews with the many people Williamson interacted with while he was undercover and after his secret identity was eventually exposed, Jonathan Ancer details Williamson’s double life, the stories of a generation of courageous activists, and the book eventually culminates with Ancer interviewing South Africa’s ‘super-spy’ face-to-face. It deals with crucial issues of justice, reconciliation, forgiveness, betrayal and the consequences of apartheid that South Africans are still grappling with.

John Kane-Berman is uniquely qualified to look back over the enormous political and social changes that have taken place in his lifetime in this fractious country. In his career as student leader, Rhodes Scholar, newspaperman, independent columnist, speech maker, commentator, and Chief Executive, for thirty years, of the South African Institute of Race Relations, Kane-Berman has been at the coal face of political change in South Africa.

The breadth and depth of ideas and events covered here are striking: the disintegration of apartheid, the chaos of the ‘people’s war’ and its contribution to the broader societal breakdown we see today, the liberal slide-away, the authoritarian ANC with its racial ideology and revolutionary goals, to mention only a few. Kane-Berman’s willingness to confront received wisdom is thoroughly refreshing, and he is forthright about the threats to freedom, democracy, and growth in contemporary South Africa, many of which he identified even before the ANC came to power.

Writing, debate, and reasoned argument have been Kane-Berman’s stock in trade and his clarity of vision and personal insight have created a memoir of rare candour and absorbing interest.

At just 17, Fatima Meer threw herself into resisting racism, her first public act of defiance in a long and pioneering political life. Despite assassination attempts, she persevered on the courageous path she had chosen.

In this intimate memoir, Fatima Meer shares her story of growing up and of love, joy, longing and loss. As Meer open-heartedly reflects on her regrets as well as her triumphs, an enchanting tale emerges of a rebellious, revolutionary woman who never shied away from the truth.

Alfred Qabula was a central figure in the cultural movement that emerged among working people in and around Durban in the 1980s. The movement was an innovative attempt to draw on the oral poetry developed among the Nguni people over many centuries. Qabula was a forklift driver in the Dunlop tyre factory in Durban at the time this book was developed. He used the art of telling stories to critique the exploitation of black workers and their oppression under apartheid.

A Working Life, Cruel Beyond Belief is the first book in the Hidden Voices series and is Qabula’s testament, telling the powerful story of his life and work. It also contains a generous selection of his poetry. The Hidden Voices Project emerged out of an interest in intellectual left contributions towards discussions on race, class, ethnicity and nationalism in South Africa. Specifically, the project seeks to examine and make available writings on left thought under apartheid. The aim is to look at hidden voices – voices outside of the university system or academic voices suppressed by apartheid pressures. Before and during the apartheid years, many universities were closed to existing local ideas and debates, and critical intellectual debates, ideas, texts, poetry and songs often originated outside academia during the period of the struggle for liberation.

This book reads like a war-time thriller.

We hear for the first time from internationalists who secretly worked for the ANC’s armed wing, Umkhonto We Sizwe (MK), in the struggle to liberate South Africa from apartheid rule. They acted as couriers, provided safe houses in the neighbouring states and within South Africa, helped infiltrate combatants across borders, and smuggled tonnes of weapons into the country in the most creative of ways. Driven by a spirit of international solidarity, they were prepared to take huge risks and face danger which dogged them at every turn. At least three were captured and served long terms of imprisonment, while others were arrested and, following international pressure, deported. They reveal what motivated them as volunteers, not mercenaries, who gained nothing for their endeavours save for the self-esteem in serving a just cause.

Against such clandestine involvement, the book includes contributions from key role players in the international Anti-Apartheid Movement (AAM) and its public mobilisation to isolate the apartheid regime. These include worldwide campaigns like Stop the Sports Tours, boycotting South African products, and black American solidarity.

The Cuban, East German and Russian contributions outline those countries’ support for the ANC and MK. The public, global AAM campaigns provide the dimension from which internationalists who secretly served MK emerged.

This is an invaluable historic resource, explaining in highly readable style the significance of international solidarity for today’s youth in challenging times.

First published to international acclaim in 1996, The Seed Is Mine is a bold and innovative social history concerning the disenfranchised blacks who did so much to shape the destiny of South Africa.

After years of interviews with Kas Maine and his neighbours, employers, friends, and family – a rare triumph of collaborative courage and dedication – Charles van Onselen has recreated the entire life of a man who struggled to maintain his family in a world dedicated to enriching whites and impoverishing blacks, while South Africa was tearing them apart.

For 250 years the Bryan Rostron’s family spread across the globe, helping to expand the British Empire and paint the map red. This is a personal reckoning with that dubious legacy, echoing down to the present in South Africa.

It begins with the ‘discovery’ of Tahiti in 1767 by an ancestor, from whose log book Rostron reveals that his sailors were exchanging the ship’s nails for sex with Tahitian maidens so that HMS Dolphin began, literally, to fall apart.

After the Anglo-Boer war, having emigrated to South Africa, one grandfather became editor of the Sunday Times, voicing racist opinions, and later of the Rand Daily Mail, at that time a voice of the Randlords. Ironically, his other grandfather worked for the Communist Party and printed revolutionary pamphlets for the violent 1922 Rand Revolt. In a bizarre twist, Rostron’s father managed the 1936 South African boxing team at the Berlin Olympics, where from under his nose their star boxer was recruited by the Nazis.

Uncovering family secrets and mistaken myths, Rostron offers a unique insight into modern-day South Africa’s colonial past.

A detailed account of the rich history and resilience of the Bakwena ba Mogopa, one of the most important traditional communities in South Africa.

This seminal and lucid work depicts the scope of social, political and economic change of the community from its earliest beginnings as the Kwena tribe migrating from East Africa to southern Africa, the birth of the tribe as a distinct and independent lineage in the 1600s, the impact of land dispossession of the Boer settlers as they advanced from the Cape Colony to the interior, the impact of Christianity, the racist and oppressive attitudes and policies of colonial governments, through to the hardships endured under the Union government and apartheid.

Mountains Of Spirit captures the role that the traditional leaders of the Bakwena ba Mogopa played in shaping the community and responding to challenges of the modern economy and constitutional democracy of South Africa. It is an important study of the tribal structures, the social, cultural and traditional practices, and the questions of land, minerals and mining rights of the Bakwena ba Mogopa.

A story spanning migrations, wars, land dispossession and restitution, intra-tribal rivalry, unrest, cultural disintegration, forced removals, pain and suffering and reintegration, Mountains Of Spirit reclaims the history of a people and evinces the fighting spirit and resilience of a resourceful community against immense odds.

Jan Christiaan Smuts was ’n soldaat, staatsman, intellektueel en een van Suid-Afrika se grootste leiers. Tog word daar vandag min oor hom gepraat of geskryf, al beleef ons tans skynbaar ’n leierskapsvakuum.

In Jan Smuts: Afrikaner Sonder Grense voer Richard Steyn aan dat ons hierdie indrukwekkende kryger-staatsman se lewe en denke moet herbesoek, omdat daar soveel te leer is uit sy merkwaardige prestasies. Die hoogs leesbare verslag ondersoek onder meer Smuts se rol as politieke leier, as adviseur van wêreldleiers, sy spirituele en intellektuele lewe en sy verhoudings met vroue. Sy unieke bydraes op ʼn verskeidenheid ander terreine, insluitend botanie, bewaring en filosofie, word ook bespreek.

Jan Smuts: Afrikaner Sonder Grense skram egter nie weg van die paradoksale in Smuts nie. Hoewel hy een van die argitekte van die Verenigde Nasies en ʼn groot kampvegter vir menseregte was, kon hy nie so ver kom om die plaaslike swart meerderheid politieke regte te gun nie.

Internationally-renowned historian Hermann Giliomee has himself been intimately involved in the unfolding drama of South Africa’s history, as participant at the Dakar talks with the ANC, as outspoken commentator for the English press, and as leading thinker on the Afrikaners. Giliomee’s lucidity and original insights make this more than just his own story. It is also a gripping narrative, filled with anecdotes and revealing inner workings of the Afrikaner establishment.

In January 1900, galvanised by the daring of the Boers in taking on imperial Britain, the young Russian officer Yevgeny Avgustus set off for the Transvaal to fight in the Anglo-Boer War. Like most of the foreign volunteers who flocked to the Boer cause, he ended up on the Natal front.

Avgustus and his companions joined the Krugersdorp Commando, and their experiences in the field are portrayed in vivid detail. The central part of this gripping account covers the Battle of the Tugela Heights in February 1900 and the Boers’ subsequent retreat. The immediacy of Avgustus’s writing captures his trepidation and excitement as he approaches the battlefield for the first time, as well as his experience of life on commando.

The keen eye of this foreign volunteer brings to life a turning point in South African history. Avgustus is a gifted writer, and his narrative offers both acute observation and thoughtful introspection.

A gripping portrayal of human frailty and courage in the face of mortal danger, A Russian on Commando highlights both the strange attraction and the absurdities of war.

Everyone is originally from Africa, and this book is therefore for everyone.

For too long, Africa’s history has been dominated by western narratives of slavery and colonialism, or simply ignored. Now, Zeinab Badawi sets the record straight.

In this fascinating book, Badawi guides us through Africa’s spectacular history – from the very origins of our species, through ancient civilisations and medieval empires with remarkable queens and kings, to the miseries of conquest and the elation of independence. Visiting more than thirty African countries to interview countless historians, anthropologists, archaeologists and local storytellers, she unearths buried histories from across the continent and gives Africa its rightful place in our global story.

The result is a gripping new account of Africa: an epic, sweeping history of the oldest inhabited continent on the planet, told through the voices of Africans themselves.

In some settings, such as Ireland, contiguous Catholic and Protestant states are often not conducive to good relations or neighbourliness. In colonial and imperial southern Africa, formal inter-state arrangements took place at the expense of a third party - subjected African peoples.

Three Wise Monkeys explores some of the contradictions, silences and oversights, and working misunderstandings that arise when an emerging Anglophone, Protestant, industrial and urbanising state - South Africa - develops side by side with Mozambique - a Lusophone, Catholic, commercial, rural colony.

In three volumes, Charles van Onselen examines the intertwined relations between South Africa and Portugal's chronically weak east coast colony, as expressed through the migrant labour system, the tourist trade, the rise and fall of LM Radio and the extraordinary tale of the Lourenço Marques Lottery. These areas constituted zones of cross-cultural, transnational interaction that both states were reluctant to acknowledge formally, choosing instead to 'see no evil, speak no evil and hear no evil' for much of the 20th century.

Three Wise Monkeys presents a startling new way of viewing the entangled, often hidden, economic, political and social dynamics that informed the rise of 20th-century South Africa, often at the expense of neighbouring Mozambique.

The volumes are:

• Volume 1: The Makings Of An African Economic Tragedy - Mozambique, circa 1500-1960
• Volume 2: Through The Turnstiles Of The Mind - White South Africans and the Freedoms Of Mozambique, circa 194-1975
• Volume 3: The Quest For Wealth Without Work - The Lourenco Marques Lottery, Protestant Panics and the South African White Working Classes , circa 1890-9165

“We thank you for the inspiration and strength

That you have given to Madiba,

Enabling him, over so many years, to draw out the best in others,

rousing us always, by word and example,

to seek the highest good for every child of this nation.”

So prayed Archbishop Thabo Makgoba with Nelson Mandela in his home in 2009 at the request of Graca Machel. This marked the start of an unusual relationship between southern Africa’s Anglican leader and Mandela in his quietening years. Join Makgoba in his journey towards faith, from his boyhood in Alex as the son of a ZCC pastor to Bishopscourt and praying with Mandela. He shares his feelings about his pastoral approach to the world icon, and how they influenced his thinking on ministering to church and nation in the current era. What did praying with those nearest and dearest to Mandela mean? What was his spirituality? In trying to answer these questions, Makgoba opens a window on South Africa’s spiritual make-up and life.

Their love story was one of the greatest of our times.

Ruth Williams was a middle-class Londoner who loved ballroom dancing and ice skating when she met Seretse Khama. He was chief designate of the most powerful tribe in Bechuanaland, today Botswana, on the borders of apartheid South Africa. Their union sparked outrage, fear and anger. Ruth’s father barred her from their family home, she was hounded by the global media and shunned by white people in Seretse’s village of Serowe. The couple was humiliated, tricked and eventually exiled to England. But, despite all these tribulations, their love triumphed over the politics and prejudice of the time.

This is the story Ruth Khama told well-known journalist and author Sue Grant-Marshall ‒ the story of an extraordinary woman, who had the courage of her convictions in marrying the man she loved and accepting his country and people as her own.

Forgiveness Redefined is Candice Mama’s honest and healing story. It tells how she found ways to deal with the death of her father, Glenack Masilo Mama, and to forgive the notorious apartheid assassin Eugene de Kock, the man responsible for his brutal murder. We follow Candice’s journey of discovering how her father died, how this affected her and how she battled the demons of depression before the age of sixteen. But most importantly, we follow her journey towards beating the odds and rising above her heartbreaks.

Candice Mama is today still under the age of 30, but has been named as one of Vogue Paris’ most inspiring women alongside glittering names such as Michelle Obama. She has taken backstage selfies with music crooner Seal and travels all over the world to talk about her journey. This bubbly, inspiring young author tells how she shed some of the worst layers of grief and became an inspiration for others. We learn about her perplexing, unconventional childhood, her search for identity, and the beautiful bond she formed, posthumously, with a father she never had the opportunity to get to know in person. She also tells, in her own words, about the life-changing encounter between her family and her father’s killer.

Candice tenderly opens up about the result of the trauma of her father’s death on her entire family, and meeting her mother for the first time at the age of four. She tells about the confusing, yet fascinating, dynamics that later unfolded as she discovered pieces of herself, rediscovered relationships with her own family and came to forgiveness and understanding.

This book serves as inspiration for other young – and older – people to look at their own stories through different lenses. Candice’s experiences are not unique, and she offers healing thoughts to others who suffered similar trauma by sharing the details of her own story. Forgiveness Redefined is a touching, personal story by a young woman who learned too early about pain, loss and rejection – but who also learned how to overcome those burdens and live joyfully.

In die jare 1891 tot 1893 het ongeveer 770 persone Transvaal verlaat en na Angola en Duits-Suidwes-Afrika getrek om hulle heil daar te soek. Dit staan bekend as die “sesde” Dorslandtrek.

Sowat 45 De Jagers het in verskillende groepe aan hierdie epiese trek deelgeneem. Ná die sesde Dorslandtrek het hulle tussen Angola, Suidwes-Afrika, Suid-Afrika en selfs Kenia rondgeswerf en verdere avonture oor die hele Suider-Afrika beleef. Sommige De Jagers het in 1928 van Angola na Suidwes-Afrika getrek en hulle daar gevestig, terwyl ander eers in 1958 uit Angola gerepatrieer is.

Uit die beperkte beskikbare bronne is die verskillende trekroetes van die sesde Dorslandtrek gerekonstrueer en vir die eerste keer word ’n kaart van die verskillende trekroetes gepubliseer. ’n Geslagregister van bykans 1800 afstammelinge en aangetroude familielede van die De Jagers van die sesde Dorslandtrek en byna 500 foto’s vorm ’n omvattende beeld van hierdie familiegeskiedenis.

South Africa's Bomb kept the world guessing for years. Six-and-a- half nuclear bombs had been secretly built and destroyed, former South African President F.W. de Klerk announced in 1993. No other country has ever voluntarily destroyed its nuclear arsenal.

From 1975 Nic von Wielligh was involved in the production of nuclear weapons material, the dismantling of the nuclear weapons and the provision of evidence of South Africa's bona fides to the international community. The International Atomic Energy Agency declared South Africa's Initial Report to be the most comprehensive and professional that they had ever received. In this book the nuclear physicist and his daughter Lydia von Wielligh-Steyn tell the gripping story of the splitting of the atom and the power it releases. It is an account of ground-breaking research and the scientists responsible; it deals with uranium enrichment, the arms race and South Africa's secret programme.

The Bomb: South Africa's Nuclear Programme is a story of nuclear explosions, espionage, smuggling of nuclear materials and swords that became ploughshares.

The animals in this landmark book – elephants, hippos, okapi, lions, jackals, cows, sheep, horses, white ants, quagga, Nazi cattle, police dogs and baboons – are chosen strategically to highlight different facets of our shared past. With this animal-centric lens, decades of research are brought together in an astonishing book, one that takes animals seriously.

The possibility of our shared future pivots on a reckoning with our shared pasts. This pioneering work shows what human-animal history can do, not only to help us better understand our place in the world, but to make our world – however slightly – a better place.

Ingrid Jonker, begaafde jong digter, loop op 19 Julie 1965 die see in by Drieankerbaai en verdrink. Sy laat haar familie en vriende agter met meer vrae as antwoorde. Gedurende die afgelope 50 jaar het sy ’n ikoon van die Afrikaanse en Suid- Afrikaanse letterkunde geword. In so ’n mate, dat haar lewe en veral haar dood soms haar werk en die belangrike bydrae wat sy tot die literêre beweging van die Sestigers gemaak het, oorskadu.

Haar politieke sieninge, soos uitgedruk in haar poësie en haar passie en die droefheid van haar onstuimige liefdesverhoudings met onder andere Jack Cope en André P. Brink het al tot baie besprekings gelei. Sy het weer onder die publieke oog gekom toe oudpresident Nelson Mandela in sy inhuldigingsrede in 1994 in die Parlement een van haar gedigte aangehaal het. Hy het haar gedig: “Die Kind” voorgelees en gesê: “Sy was beide ’n digter en ’n Suid-Afrikaner.”

Sedert haar dood is daar vele bespiegelings oor haar lewe en tragiese einde. Van dié vrae word beantwoord in hierdie eerste omvattende biografie. Petrovna Metelerkamp doen al jare navorsing oor Jonker. Sy neem die leser saam deur Ingrid se grootwordjare, digterslewe, liefdesverhoudings en die laaste paar jaar van haar lewe.

Metelerkamp bring nuwe inligting aan die lig wat sy neem uit onbekende nuwe briewe en dagboekinskrywings, o.m. uit die dagboeke van Jack Cope. Talle nuwe onderhoude met mense wat Jonker geken het, word in die biografie opgeneem. Sy weerlê ook die beeld van Jonker as ’n ongebalanseerde kunstenaar wat haar houvas op die werklikheid verloor het in hierdie toeganklike biografie oor een van Suid-Afrika se aangrypendste kunstenaars.

The book selects some past events and experiences, national and international, and wonders what lessons were missed, learnt, or are yet to be learnt from them.

Tragedies happen again and again because we fail to learn from the past. The past is rich with valuable lessons – rich pickings. The reader is taken back into the past in search of some of those lessons, many of which, regrettably, we failed – and continue failing – to learn. As we dig into the past for those rich pickings, there will be moments to laugh, cry or even weep; but that is exactly how lessons are learnt in life.

Other similar incidents learnt from, both abroad and at home, relate to the author’s own experiences in South Africa, including as a Judge who heard amnesty applications as a member of the Amnesty Committee of the Truth and Reconciliation Commission. The book hopes to show that capacity for evil is not peculiar to any nation or race; it also discusses the dangers of tribalism.

The chapter ‘Beyond the Frontiers’ takes the reader into the rest of Africa. A lot is revealed, including divisions the author witnessed – while serving as an AU judge based in Tanzania – within the AU along the languages of, ironically, colonial masters; also referenced is the sorry state of human rights in Africa. Have we seized the opportunity to learn all the valuable lessons which that great teacher, ‘The Past’, offered?

The author leaves it to readers to make their own final judgement after reading the book as to whether, at the individual and collective levels, we have learnt those lessons and taken them to heart for the good of our individual and collective destiny.

This close media study considers how, squeezed in the moral vice of past and present, Afrikaners look in a mirror that reflects only a beautiful people.

It is an image of upstanding, hard-working citizens. To hold on to that image requires blinkers, sleights of hand and contortion. Above all, it requires an inversion of the liberation narrative in which the wretched of South Africa are the historical oppressors, besieged in their language, their homes, their jobs.

They are the new `grievables', an identity that requires intricate moral manoeuvres, and elision as much of the past as of transformation.

On a freezing winter’s night, a few hours before dawn on 12 May 1969, security police stormed the Soweto home of Winnie Mandela and detained her in the presence of her two young daughters, then aged eight and ten.

Rounded up in a group of other anti-apartheid activists under Section 6 of the Terrorism Act, designed for the security police to hold and interrogate people for as long as they wanted, she was taken away. This was the start for Winnie Mandela of a 491-day period of detention and two trials.

Forty-one years after her release on 14 September 1970, Greta Soggot, the widow of David Soggot, one of Winnie Mandela’s advocates during the 1969/1970 trials, handed her a stack of papers that included a journal and notes that she had written in detention.

491 Days: Prisoner number 1323/69 shares with the world Winnie Mandela’s moving and compelling journal as well as some of the letters written between affected parties at the time. Readers gain insight into the brutality she experienced, her depths of despair as well as her resilience and defiance under extreme pressure.

This book was co-edited by Swati Dlamini and Sahm Venter with the support of the Nelson Mandela Foundation.

Sol Plaatje’s Mhudi is one of South Africa’s most famous novels.

First published in 1930, it is the first full-length novel by a black South African writer, and is widely read and studied in South African schools, colleges and universities. It has been translated into a number of different languages. Written over 30 years before Chinua Achebe’s famous Things Fall Apart, Mhudi is a pioneering African novel too, anticipating many of the themes with which Achebe and other writers from the African continent were concerned.

Mhudi has had a complicated history. Critics have been divided in their views, and there was a delay of ten years between the time Plaatje wrote the book and when it was published. A century on from when it was written, the time is now right to both celebrate its composition and to assess its meanings and legacy.

In this book, a distinguished cast of contributors explore the circumstances in which Mhudi was both written and published, what the critics have made of it, why it remains so relevant today. Chapters look at the eponymous feminist heroine of the novel and what she symbolizes, the role of history and oral tradition, the contentious question of language, the linguistic and stylistic choices that Plaatje made. In keeping with Mhudi’s capacity to inspire, this book also includes a poem and short story, specially written in order to pay tribute to both the book and its author.