For more than thirty years, Fredric Jameson has been one of the
most productive, wide-ranging, and distinctive literary theorists
in the United States and the Anglophone world. Marxism and Form
provided a pioneering account of the work of the major European
Marxist theorists--T. W. Adorno, Walter Benjamin, Herbert Marcuse,
Ernst Bloch, Georg Lukacs, and Jean-Paul Sartre--work that was, at
the time, largely neglected in the English-speaking world. Through
penetrating readings of each theorist, Jameson developed a critical
mode of engagement that has had tremendous in.uence. He provided a
framework for analyzing the connection between art and the
historical circumstances of its making--in particular, how cultural
artifacts distort, repress, or transform their circumstances
through the abstractions of aesthetic form.
Jameson's presentation of the critical thought of this Hegelian
Marxism provided a stark alternative to the Anglo-American
tradition of empiricism and humanism. It would later provide a
compelling alternative to poststructuralism and deconstruction as
they became dominant methodologies in aesthetic criticism.
One year after Marxism and Form, Princeton published Jameson's
"The Prison-House of Language" (1972), which provided a thorough
historical and philosophical description of formalism and
structuralism. Both books remain central to Jameson's main
intellectual legacy: describing and extending a tradition of
Western Marxism in cultural theory and literary
interpretation."
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!