The critic explicitly acknowledges his dependence on prior words
that make his word a kind of answer. He calls to other texts "that
they might answer him."'
Geoffrey Hartman is the first book devoted to an exploration of
the intellectual poetry' of the critic who, whether or not he
represents the future of the profession', is a unique and major
voice in twentieth-century criticism.
Professor Atkins explains clearly Hartman's key ideas and places
his work in the contexts of Romanticism and Judaism on which he has
written extensively. In Geoffrey Hartman he provides a valuable
introduction to a major critical voice who has called into question
our assumptions about the distinction between commentary and
imaginative literature.
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