This groundbreaking collection of essays represents Herman Melville
as an artist for whom questions of sensation, pleasure, and form
cannot be separated from philosophical and political concerns.
Contributors offer original and provocative readings that span
Melville's career and engage the resurgence of interest among
literary scholars in aesthetics. The first of its kind, this
collection returns us to the particularities of Melville's
extraordinarily varied works and transforms the subject of
aesthetics into an invigorating and unpredictable source of
interpretive energy.
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