This collection of essays challenges conceptions of "high"
modernism, its preoccupation with style at the expense of issues
such as race, class and gender, and its exclusive focus both on
predominately male writers, poetry and prose fiction by
highlighting the diversity of cultural production in the modernist
period. This book focusses specifically on women's cultural
production, covering a wide range of arts and genres including
chapters on painting, theatre, and magazines. The book investigates
how women usually constructed as "others", themselves construct
others in their work in a period prominently concerned with the
construction of self as an issue. This diversity offers a new
format of reading modernism in a cross-disciplinary context.
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