Gary Rosenshield offers a new interpretation of Dostoevsky's
greatest novel, "The Brothers Karamazov." He explores Dostoevsky's
critique and exploitation of the jury trial for his own ideological
agenda, both in his journalism and his fiction, contextualizing his
portrayal of trials and trial participants (lawyers, jurors,
defendants, judges) in the political, social, and ideological
milieu of his time. Further, the author presents Dostoevsky's
critique in terms of the main notions of the critical legal studies
movement in the United States, showing how, over one hundred and
twenty years ago, Dostoevsky explicitly dealt with the same
problems that the law-and-literature movement has been confronting
over the past two decades. This book should appeal to anyone with
an interest in Russian literature, Russian history and culture,
legal studies, law and literature, narratology, or metafiction and
literary theory.
                 
                    
                
                
                    
                    
                        
                            
                            
                            
                        
	
	
		
	
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