Social anxiety about poverty surfaces with startling frequency
in American literature. Yet, as Gavin Jones argues, poverty has
been denied its due as a critical and ideological framework in its
own right, despite recent interest in representations of the lower
classes and the marginalized. These insights lay the groundwork for
"American Hungers," in which Jones uncovers a complex and
controversial discourse on the poor that stretches from the
antebellum era through the Depression.
Reading writers such as Herman Melville, Theodore Dreiser, Edith
Wharton, James Agee, and Richard Wright in their historical
contexts, Jones explores why they succeeded where literary critics
have fallen short. These authors acknowledged a poverty that was as
aesthetically and culturally significant as it was socially and
materially real. They confronted the ideological dilemmas of
approaching poverty while giving language to the marginalized
poor--the beggars, tramps, sharecroppers, and factory workers who
form a persistent segment of American society. Far from peripheral,
poverty emerges at the center of national debates about social
justice, citizenship, and minority identity. And literature becomes
a crucial tool to understand an economic and cultural condition
that is at once urgent and elusive because it cuts across the
categories of race, gender, and class by which we conventionally
understand social difference.
Combining social theory with literary analysis, "American
Hungers" masterfully brings poverty into the mainstream critical
idiom.
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