Before about 1840, there was little prestige attached to the
writing of novels, and most English novelists were women. By the
turn of the twentieth century, "men of letters" acclaimed novels as
a form of great literature, and most critically successful
novelists were men. In the book, sociologist Gaye Tuchman examines
how men succeeded in redefining a form of culture and in invading a
white-collar occupation previously practiced mostly by women.
Tuchman documents how men gradually supplanted women as
novelists once novel-writing was perceived as potentially
profitable, in part because of changes in the system of publishing
and rewarding authors. Drawing on unusual data ranging from the
archives of Macmillan and company (London) to an analysis of the
lives and accomplishments of authors listed in the Dictionary of
National Biography, she shows that rising literacy and the
centralization of the publishing industry in London after 1840
increased literary opportunities and fostered men 's success as
novelists. Men redefined the nature of a good novel and applied a
double standard in critically evaluating literary works by men and
by women. They also received better contracts than women for novels
of equivalent quality and sales. They were able to accomplish this,
says Tuchman, because they were to a large extent the culture
brokers the publishers, publishers readers, and reviewers of an
elite art form.
Both a sociological study of occupational gender transformation
and a historical study of writing and publishing, this book will be
a rich resource for students of the sociology of culture, literary
criticism, and women 's studies.
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